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CFP - Dossier: ANTONIN ARTAUD AND REVERBERATIONS

Started by Luciana da Costa Dias Aug 21. 0 Replies

CALL FOR PAPERS Dossier: ANTONIN ARTAUD AND REVERBERATIONSThe Ephemera…Continue

Available Online IMAGINED THEATRES issue #03

Started by Daniel Sack Aug 13. 0 Replies

We are pleased to announce the launch of issue #03 of …Continue

Tags: imagined, writing, theatres, open, access

Workshop CFP: The Mimetic Condition: A Transdisciplinary Approach

Started by Daniel Villegas Vélez Jun 3. 0 Replies

Workshop CFP: The Mimetic Condition: A Transdisciplinary ApproachInstitute of Philosophy, KU Leuven (Belgium)December 5-6, 2019Keynote: Prof. Gunter Gebauer (Free University of Berlin)Since the…Continue

Tags: workshop, transdisciplinarity, mimesis

Announcing the Performance Philosophy Crowdfunding Campaign!

Started by Naomi Woo Apr 7. 0 Replies

Performance Philosophy is launching our first…Continue

Blog Posts

Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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The School of Making Thinking's Summer 2018 Residency Programs

Posted by Aaron Finbloom on January 9, 2018 at 15:01 0 Comments

Hi everyone!

I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )



see below!

best,

Aaron



~



The School of Making Thinking hosts Summer Intensives for…

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Playing with Virtual Realities - Performances and Symposium

Posted by Einav Katan-Schmid on November 18, 2017 at 13:14 0 Comments

PREMIERE Playing with Virtual Realities  
25. bis 28.01.2018 A research project of the Cluster of Excellence Image Knowledge Gestaltung, Humboldt-University of Berlin   …
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MUTE MOVEMENTS Book Launch !

Event Details

MUTE MOVEMENTS Book Launch !

Time: March 26, 2015 from 5pm to 8pm
Location: American University of Beirut , West Hall 2nd floor Foyer
Street: Bliss Street
City/Town: BEIRUT
Website or Map: https://www.facebook.com/even…
Event Type: performance, art, -book, launch
Organized By: Cornelia Krafft / AUB Press / AUB President´s Club
Latest Activity: Mar 9, 2015

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Event Description

The launching of the book MUTE MOVEMENTS:
a collective performance art journey through Beirut 2009-2014
by Cornelia Krafft / Artist, Choreographer
Designed by Christian Ipsum Moussa
* Generously sponsored by the AUB President's Club.
* Published by AUB Press
* In commemoration of the American University of Beirut’s 150th Anniversary Celebration in 2016

The first book of its kind in Lebanon, Mute Movements documents the emergence of a Performance Art scene in Lebanon under the direction of Cornelia Krafft, artist, choreographer, and former assistant professor at the American University of Beirut. The book illustrates the collective work of students and artists (aged 19 to 25) exploring their everyday challenges and concerns through the medium of performance.

Captured in high-quality photographs and narrated through the performers’ own words, Mute Movements invites the reader to embark on an inspirational journey through modern-day Lebanon as seen through the eyes of these young artists striving to confront internal and external challenges on the personal, national, and regional levels.

Their “mute” performances, situated in provocative locations, demanded attention and triggered debate. Played out in unorthodox settings – abandoned buildings, war ruins, along the sea shore, in city streets and run-down cinemas – these performances required almost as much of the spectators as of the players with their fundamental questioning of issues of collective relevance: social responsibility, personal and regional identity, cultural heritage, censorship, conflict, freedom, and repression.

The book’s minimalistic aesthetic and design enfold a wealth of artistic images, an extraordinary record of the evolution of Performance Art in Lebanon across five fertile years of artistic endeavor. Across the pages of the book, each performance unfolds in documentary-like fashion, revealing the extent to which contemporary education in the fields of performance, set design, and visual arts can engage and inspire its audiences. While the focus is on Lebanon and its youth, the bigger picture is a work in progress with relevance extending far beyond the borders of one small country, making Mute Movements a valuable and highly enjoyable reference work of international importance.

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