Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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Material related to Tempting Failure, or “Learniing From Mistakes”

Started by john forester Jul 17. 0 Replies

A symposium on learning from mistakes in settings of city planning, drawing in part on Frank Barrett’s work on jazz in his striking Yes to the Mess:    See …Continue

Tags: aesthetics, of, cooperation, mis-takes, improvisation

CFP: Brazilian Journal on Presence Studies: "Decolonial Poetics and Pedagogies"

Started by Luciana da Costa Dias Oct 16, 2017. 0 Replies

BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue

Tags: CFP

Knowing by singing: song, acoustic ecologies and the overflow of meaning - CfP RAI 1-3 June 2018

Started by Valeria Lembo Aug 30, 2017. 0 Replies

We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue

Tags: Voice, Sound, Embodiment, Ecology, Epistemology

Listening After Oliveros

Started by Ed McKeon Aug 17, 2017. 0 Replies

The School of Fine Art, History of Art & Cultural Studies and School of Music at the University of Leeds are very excited to announce Listening after Pauline Oliveros: A Meditation.Thursday 12…Continue

Blog Posts

Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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The School of Making Thinking's Summer 2018 Residency Programs

Posted by Aaron Finbloom on January 9, 2018 at 15:01 0 Comments

Hi everyone!

I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )



see below!

best,

Aaron



~



The School of Making Thinking hosts Summer Intensives for…

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Playing with Virtual Realities - Performances and Symposium

Posted by Einav Katan-Schmid on November 18, 2017 at 13:14 0 Comments

PREMIERE Playing with Virtual Realities  
25. bis 28.01.2018 A research project of the Cluster of Excellence Image Knowledge Gestaltung, Humboldt-University of Berlin   …
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Reaching | Outreaching (submission deadline 20 April 2018)

Event Details

Reaching | Outreaching (submission deadline 20 April 2018)

Time: June 9, 2018 all day
Location: Loughborough University London
Street: Here East, Broadcast Centre, Queen Elizabeth Olympic Park, London
City/Town: London
Website or Map: http://tapra.org/wg-calls-for…
Event Type: symposium
Organized By: Fred Dalmasso, Kélina Gotman, Daniela Perazzo Domm
Latest Activity: Apr 16

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Event Description

The language of ‘outreach’ shapes conversation on university and artistic life, from ‘strategic visions’ to arts council applications. But what does it mean to reach out? What is the discourse on outreach as a gesture – an act and effect?

In On Being Included, Sara Ahmed argues that institutional commitments to diversity may be considered “non-performatives”: “they do not bring into effect that which they name” (2012: 119). Institutions run diversity workshops and committees, outreach programmes and ‘participatory’ or ‘inclusive’ agendas, but where does the gesture stop, and where does it begin? How may we understand the choreography and the dramaturgy of institutional outreaching? How can we begin to detour this language so as to rethink the role of the university – and of artistic practice – in public life today? Does the university have a role to play in public life, and what might that be? Does this equate with ‘outreach’? What is the relationship between artistic practice and what may be termed ‘creative research’? 

In this day-long workshop, situated at the Olympic site of LU London – a location like many in the ‘expanded university’ today concerned with reaching out to the ‘local community’ – the TaPRA Theatre, Performance and Philosophy working group aims to think together about choreo-geography, gesture, site, institutional politics, affect and the never-ending labour of reaching: we will ask, what does it mean to imagine a cultural and intellectual sphere from which reaching takes place, but yet which, it seems, is never imagined to be reached towards? What colonial or imperial legacy suggests that intellectual life has for its role to bring knowledge out towards others? What might we learn from being touched in our work by those whose knowledges may not be institutionally recognised? And finally, what might be involved in thinking cultures of proximity, displacement, and spostamento – or centripetal and centrifugal displacement, reciprocal displacement, displacement that comes back to haunt one? How are we implicated in cultivating intellectual and creative spaces and ties that fail again and again to bind, to shift, or perhaps at this stage in the public life of universities – entering full throttle into a wholesale culture of privatization – to query the form of these structures of ‘outreach’ for those whose lives we are meant, in the final analysis, to ‘transform’? If public impact is meant to ‘change’ those our work comes into contact with, how do we analyse and eventually reclaim the dance, the theatre – the dramaturgy – of this contact and this encounter? 


We are calling for reflections and provocations centred (or decentred) on the following themes in relation with theatre and performance: 

Practices of reaching, discourses of outreach - Dissociation, displacement and decanting - Dramaturgies and choreographies of distance and proximity - Aporetic and porous spaces of co-habitation - Institutional choreopolitics - Decreation and deproduction; alternative models of capitalism, work and theatricality - Gesture, ‘community’ and constitutive alterity - Discourses and practices of political and institutional ‘change’ - Cultures and pedagogies of the sited university - Performative (or ‘non-performative’) languages of business, enterprise, innovation and affiliation

Please send 250-word proposals and a short bio to Fred Dalmasso (F.T.J.Dalmasso@lboro.ac.uk), Kélina Gotman (kelina.gotman@kcl.ac.uk) and Daniela Perazzo Domm (D.Perazzodomm@kingston.ac.uk)by 20 April 2018. Participants will be notified by 4 May 2018.

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