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CFP: Brazilian Journal on Presence Studies: "Decolonial Poetics and Pedagogies"

Started by Luciana da Costa Dias on Monday. 0 Replies

BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue

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Knowing by singing: song, acoustic ecologies and the overflow of meaning - CfP RAI 1-3 June 2018

Started by Valeria Lembo Aug 30. 0 Replies

We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue

Tags: Voice, Sound, Embodiment, Ecology, Epistemology

Listening After Oliveros

Started by Ed McKeon Aug 17. 0 Replies

The School of Fine Art, History of Art & Cultural Studies and School of Music at the University of Leeds are very excited to announce Listening after Pauline Oliveros: A Meditation.Thursday 12…Continue

What does the structureless of shock look like?

Started by Jim Daly. Last reply by Bernard Roddy Feb 22. 1 Reply

You can't impose structure on shock, can you? Continue

Blog Posts

Aesthetics of Contemplation: Poetry Leaves

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He met her in the foyer of a theatre, novel in her hand, clip board in his hand,

Market research on the tip of his tongue,…

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Playing with Virtual Realities - Introduction

Posted by Einav Katan-Schmid on September 25, 2017 at 17:00 0 Comments

 

The project Playing with Virtual Realities takes place in the research group gamelab.berlin, at the Excellence Cluster an Interdisciplinary Laboratory, Humboldt University of Berlin.

The project explores how VR-technology and the embodied practices of gaming and dancing enact and design imagination and perceptual experience. The project is a collaboration of gaming, dancing, VR design, philosophy of technology, embodied…

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Dance movement therapy contextualised within a Shambhala Buddhist Vision of Enlightened Society.

Posted by Jack Beglin on September 23, 2017 at 17:30 0 Comments

Context :

This essay was written during my visiting scholarship to Naropa University, Boulder, Colorado U.S.A, August - December 2016. Naropa is a Buddhist inspired University founded in 1974 by…

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International University “Global Theatre Experience” The Ostrenko Brothers and Embodied Statues of the Psyche

Posted by Jack Beglin on September 15, 2017 at 17:30 0 Comments

ArtUniverse is an international arts agency created in 2006 in Great Britain with the mission;

‘ To develop transnational cultural collaboration and exchange between arts and culture workers, to strengthen international cultural links through artistic expression and to…

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Sacred Places: Performances, Politics and Ecologies – A Multidisciplinary Perspective

Event Details

Sacred Places: Performances, Politics and Ecologies – A Multidisciplinary Perspective

Time: April 20, 2017 to April 21, 2017
Location: Creative Campus Liverpool Hope University
Event Type: conference
Organized By: silvia battista
Latest Activity: Oct 25, 2016

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Event Description


Description

Sacred Places: Performances, Politics and Ecologies. A Multidisciplinary Perspective is a two-day conference aimed at investigating the actuality of sacred places in contemporary society; their practices and performances, politics and ecologies. The overarching theoretical umbrella is the perspective of Performance Studies, which offers a prolific framework for multidisciplinary engagement and exchange. 

Sacer, from which the term sacred derives, defines an area that stands apart; the Hebrew term k-d-sh, which is usually translated as “holy”, is based on the idea of separation; and the Latin word templum is derived from the Greek templos, of which the root tem means “to cut out” (Tuan 1978, 84). According to the geographer Yi-Fu Tuan the activity of differentiating the undifferentiated space through the establishment of sacred places is an operation analogous to the geographer’s cartographic activity of mapping a territory. Both are attempts at confining nature within demarcated bounds. 

Sacred places might refer to landscapes, operating rooms, scientific laboratories, theatrical spaces, rehearsal studios, religious architectures, museums, rooms in houses, street corners, gardens, stones, trees, the body, archives, etc. Depending on the cultural contexts, sacred places become points of arrival and departure; locations for personal and collective transformations; sites where the given confines of nature and culture are re-negotiated. In addition, sacred locations are becoming increasingly involved in issues of social and environmental justice, peace and conflict, resistance and activism, potentially having an impact on the political, economic, historical, and cultural developments of our time. 

Call for Papers

We invite contributions by scholars, artists and scientists willing to present individual papers, provocations, performance presentations and workshops on topics including but not limited to:

• Sacredness and human agency;
• Cartography and territories of the sacred;
• Notions of sacred places and scientific practices;
• Theatre and art galleries as sacred places;
• Performances and practices of sacred locations;
• Inscription and/or natural dispositions of the sacred;
• Pilgrimages to sacred locations as performative practices;
• Geopolitics and activism in sacred locations;
• The role of sacred places in conflict;
• The function of sacred locations in peace building;
• Ecology and sacred grounds;
• Sacred places and experimentation;
• Religion, eco-ethics and sacred locations;
• The body as sacred space;
• Identity, perception and sacred locations.

Please send abstracts of max. 300 words (word or pdf-format) for presentations lasting no more than 20 minutes to the conference organisers Silvia Battista at battiss@hope.ac.uk, and Rachel Sweeney at sweener@hope.ac.uk by 10th of December 2016. Also include name, contact information, and affiliation and technical requirements where applicable. Please provide a brief biography (max. 100 words) and a list of keywords (max. 5), and use the subject heading: ‘Sacred Places’ followed by your name and surname. 

Links:
https://www.facebook.com/events/914072338686423/
http://tutu.hope.ac.uk/

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