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Performing Viral Pandemics?

Started by aha. Last reply by aha May 11, 2020. 2 Replies

Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue

We all have the same dream?

Started by Egemen Kalyon Apr 2, 2020. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15, 2020. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…


Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…




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Event Details


Time: June 26, 2016 all day
Location: Clare College, Cambridge
Website or Map:
Event Type: symposium
Organized By: Naomi Woo
Latest Activity: Jun 6, 2016

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Event Description

an interdisciplinary symposium on the 500th anniversary of Thomas More's Utopia
26 June 2016
Clare College, Cambridge
In Archæologies of the Future, Fredric Jameson wonders: “can we invent a way of reading Thomas More's Utopia (1516) so as to recover something of the shock and freshness of its elegant new Latin for the first European readers?” This symposium is both an interdisciplinary investigation provoked by this question, and a celebratory reading for the 500th anniversary of More’s text.

Thirkill Room, Clare College, Cambridge
10 am - 5:30 pm
Registration £ 40 / 20 -- register here by June 10
Fee includes symposium talks, lunch, and evening concert

Featuring a new work by Louis d'Heudieres
Round Church on Bridge Street, Cambridge
7:30 pm
Tickets £ 10 / 5 -- reserve tickets here
Concert free for all symposium participants

David Bell (Sheffield)
Gregory Claeys (Royal Holloway)
Jonah Coe-Scharff (Cambridge)
Davina Cooper (Kent Law School)
John Guy (Cambridge)
Nicholas Johnson (visual artist)
Sarah Lohmann (Durham)
Edwin van Meerkerk (Radboud)
Laura Scallabrella Spada (University College London)
Cam Scott (poet and sound artist)
Cathy Shrank (Sheffield)
Tessa Smith (Humboldt)
Andrew Zurcher (Cambridge)

Four visual artists will be joining us throughout the conference, and participating in the day's events. In response to the conference, they will produce artistic reflections that respond both to the investigations generated by the conference, and to More's original work.
Jonny Briggs
Jane Hayes Greenwood
Declan Jenkins
Nicholas Johnson
If you have any questions about the day or the registration process, please email

Sasha Amaya + Naomi Woo
The Uses of Utopia
Cambridge 2016

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