Performance Philosophy2024-03-29T12:52:37ZAndres Leon-Geyerhttp://performancephilosophy.ning.com/profile/AndresLeonGeyerhttp://storage.ning.com/topology/rest/1.0/file/get/376132720?profile=RESIZE_48X48&width=48&height=48&crop=1%3A1http://performancephilosophy.ning.com/forum/topic/listForContributor?groupUrl=intermedial-performance&user=2ud0v6kbwc1bz&feed=yes&xn_auth=noIntermedial Perfomers and Companiestag:performancephilosophy.ning.com,2015-05-12:6528949:Topic:293062015-05-12T20:07:38.035ZAndres Leon-Geyerhttp://performancephilosophy.ning.com/profile/AndresLeonGeyer
<p>As part of my practise based PhD, I am looking for examples of contemporary intermedial* performers and companies. Examples I have found are <a href="http://www.joanneemmascott.com/" target="_blank">Jo Scott</a> and Shana Moulton, and the companies Forkbeard Fantasy and the Theatre group <a href="http://www.19-27.co.uk/" target="_blank">1927</a>.</p>
<p>If there are any others people know of please post! Thankyou:)</p>
<p>*"Chapple and Kattenbelt argues that "the intermedial is a space where…</p>
<p>As part of my practise based PhD, I am looking for examples of contemporary intermedial* performers and companies. Examples I have found are <a href="http://www.joanneemmascott.com/" target="_blank">Jo Scott</a> and Shana Moulton, and the companies Forkbeard Fantasy and the Theatre group <a href="http://www.19-27.co.uk/" target="_blank">1927</a>.</p>
<p>If there are any others people know of please post! Thankyou:)</p>
<p>*"Chapple and Kattenbelt argues that "the intermedial is a space where the boundaries soften-and we are inbetween and within a mixing of spaces, media and realities. Thus, intermediality becomes a process of transformation of thoughts and processes where something different is formed through performance ... as a re-perception of the whole, which is re-constructed through performance"(2006: 12)."</p> INFLUENCE OF NEW MEDIA LANGUAGES IN STAGE PERCEPTIONtag:performancephilosophy.ning.com,2012-09-08:6528949:Topic:22502012-09-08T21:05:45.056ZAndres Leon-Geyerhttp://performancephilosophy.ning.com/profile/AndresLeonGeyer
<div class="xg_headline xg_headline-img xg_headline-2l"><div class="tb"><p> Can we talk about a influence of the languages of New Media on the perceiving of stage? </p>
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<div class="xg_module_body"><div class="discussion"><div class="description"><div class="xg_user_generated"><p>Mark Coniglio, in a conference in Mexico City this year, made again his point about that, although decades of use of new media in dance, there is no real influence of new media in the way choreographers…</p>
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<div class="xg_headline xg_headline-img xg_headline-2l"><div class="tb"><p> Can we talk about a influence of the languages of New Media on the perceiving of stage? </p>
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<div class="xg_module_body"><div class="discussion"><div class="description"><div class="xg_user_generated"><p>Mark Coniglio, in a conference in Mexico City this year, made again his point about that, although decades of use of new media in dance, there is no real influence of new media in the way choreographers create. As far I understood. Trough him I also got interested in the influence of cinematographic language on the new media visual language, specially on stage. I am sure there is influence of cinema both on new media and on stage arts media, I mean theater and dance, and of course similar languages, and understanding stage as the space defined for performance. I can't say anything about a real influence of new media aesthetics and methods on the way of creating in theater and choreography for now (except Troikas piece Loop Diver), but what about the viewer?</p>
<p>So, my starting question is: if we conceive that film has influenced the way we see theater and generally speaking stage, can we detect influences of newer media and which? </p>
<p>PD: sorry for my english, and for posting as newbie but I was kind of puzzled there are no discussions</p>
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