PERFORMANCE PHILOSOPHY BIBLIOGRAPHY - Performance Philosophy2024-03-29T06:49:39Zhttp://performancephilosophy.ning.com/forum/topics/performance-philosophy-bibliography?commentId=6528949%3AComment%3A34237&feed=yes&xn_auth=noHello,
I would like you to ad…tag:performancephilosophy.ning.com,2016-04-07:6528949:Comment:367732016-04-07T12:52:49.353ZAntanas Obcarskashttp://performancephilosophy.ning.com/profile/AntanasObcarskas
<p>Hello,</p>
<p>I would like you to add two books in English.</p>
<p>Badiou, Alain (2008) <em>Rhapsody for the Theatre: A Short Philosophical Treatise</em>. Theatre Survey / Volume 49 / Issue 02 / November 2008, pp 187-238</p>
<p>Badiou, Alain (2015) <em>In Praise of Theatre. </em><span>Polity Press</span></p>
<p></p>
<p>Hello,</p>
<p>I would like you to add two books in English.</p>
<p>Badiou, Alain (2008) <em>Rhapsody for the Theatre: A Short Philosophical Treatise</em>. Theatre Survey / Volume 49 / Issue 02 / November 2008, pp 187-238</p>
<p>Badiou, Alain (2015) <em>In Praise of Theatre. </em><span>Polity Press</span></p>
<p></p> Thanks for posting this usefu…tag:performancephilosophy.ning.com,2015-11-19:6528949:Comment:342372015-11-19T15:58:39.796ZMonica Gontovnikhttp://performancephilosophy.ning.com/profile/MonicaGontovnik
<p>Thanks for posting this useful bibliography in progress...<br></br> <br></br> <cite>Julia Lee Barclay-Morton said:</cite></p>
<blockquote cite="http://performancephilosophy.ning.com/forum/topics/performance-philosophy-bibliography#6528949Comment2107"><div><div class="xg_user_generated"><p>A bit confused by what is and isn't in this bibliography right now, but think I'm adding new things. If any repeats, apologies in advance. Hope it's not too bold to also add my unpublished PaR PhD thesis,…</p>
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<p>Thanks for posting this useful bibliography in progress...<br/> <br/> <cite>Julia Lee Barclay-Morton said:</cite></p>
<blockquote cite="http://performancephilosophy.ning.com/forum/topics/performance-philosophy-bibliography#6528949Comment2107"><div><div class="xg_user_generated"><p>A bit confused by what is and isn't in this bibliography right now, but think I'm adding new things. If any repeats, apologies in advance. Hope it's not too bold to also add my unpublished PaR PhD thesis, but because it directly relates - indeed addresses in its entirety this subject - thought it was relevant....</p>
<p><span style="text-decoration: underline;">Bibiliography additions:</span></p>
<p>Barclay, Julia Lee (2009) <i>Apocryphal Theatre: practicing philosophies</i>, Ph.D. thesis, Northampton, UK: University of Northampton.</p>
<p>Barthes, Roland (1977) <i>Image Music Text</i>, trans. Stephen Heath, London: Fontana Press.</p>
<p>Bleeker, Maaike (2009) ‘Thinking through Theatre’ in <i>Deleuze and Performance</i>, ed. Laura Cull, Edinburgh: Edinburgh University Press, pp. 147-160.</p>
<p>Brecht, Bertolt (1987) <i>Brecht on Theatre</i>, ed. and trans. John Willett, London: Methuen.</p>
<p>Cage, John (1973) <i>Silence</i>, London: Calder and Boyars.</p>
<p>Chaikin, Joseph (1984) <i>Presence of the Actor</i>, New York: Atheneum.</p>
<p>Foreman, Richard (1992) <i>Unbalancing Acts: Foundations for a Theater</i>, New York: Theatre Communications Group.</p>
<p>Grotowski, Jerzy (1984) <i>Towards a Poor Theatre</i>, ed. Eugenio Barba, London: Methuen.</p>
<p>Kantor, Tadeusz (1993) <i>A Journey Through Other Spaces: Essays and Manifestos, 1944-1990</i>, ed. and trans. Michael Kobialka, Berkeley, Los Angeles and London: University of California Press.</p>
<p>Melrose, Susan (2005) ‘<i>Words Fail Me</i>’, keynote address, Centre for Performance Research: <a rel="nofollow" href="http://www.sfmelrose.u-net.com/wordsfailme" target="_blank">www.sfmelrose.u-net.com/wordsfailme</a>. </p>
<p>______ (2005a) ‘<i>Out of Words</i>’, keynote address, Centre for the History and Analysis of Recorded Music: <a rel="nofollow" href="http://www.sfmelrose.u-net.com/outofwords" target="_blank">www.sfmelrose.u-net.com/outofwords</a>.</p>
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</blockquote> Hi everyone,
I'd like to sugg…tag:performancephilosophy.ning.com,2015-08-30:6528949:Comment:319242015-08-30T04:31:22.155ZBrent Harrishttp://performancephilosophy.ning.com/profile/BrentHarris
<p>Hi everyone,</p>
<p>I'd like to suggest <em>Posteering</em>, my book with Maria O'Connor, under a new category—Blanchot, Levinas and Performance.</p>
<p>Harris, Brent and O'Connor, Maria (2015) Posteering (Christchurch, NZ: The Physics Room and The School of Art + Design, Auckland University of Technology, in association with M/K Press)…</p>
<p>Hi everyone,</p>
<p>I'd like to suggest <em>Posteering</em>, my book with Maria O'Connor, under a new category—Blanchot, Levinas and Performance.</p>
<p>Harris, Brent and O'Connor, Maria (2015) Posteering (Christchurch, NZ: The Physics Room and The School of Art + Design, Auckland University of Technology, in association with M/K Press) <a href="http://physicsroom.org.nz/publications/posteering" target="_blank">http://physicsroom.org.nz/publications/posteering</a></p>
<p>Thanks,</p>
<p>Brent</p>
<p></p> to be added to bibliography u…tag:performancephilosophy.ning.com,2015-08-06:6528949:Comment:311902015-08-06T18:53:36.823ZStephen Wilmerhttp://performancephilosophy.ning.com/profile/StephenWilmer
<p>to be added to bibliography under Beckett and Philosophy, and/or Deleuze and Performance:</p>
<p>Deleuze and Beckett, eds S E Wilmer and Audrone Zukauskaite, Palgrave Macmillan, 2015</p>
<p>to be added to bibliography under Beckett and Philosophy, and/or Deleuze and Performance:</p>
<p>Deleuze and Beckett, eds S E Wilmer and Audrone Zukauskaite, Palgrave Macmillan, 2015</p> Hello,
I am surprised not to…tag:performancephilosophy.ning.com,2015-01-22:6528949:Comment:269492015-01-22T10:26:35.956ZAntanas Obcarskashttp://performancephilosophy.ning.com/profile/AntanasObcarskas
<p>Hello,</p>
<p>I am surprised not to see Jose Ortega y Gasset and Sartre. </p>
<p>Jose Ortega y Gasset <em>"The Idea of Theater"</em>.<em> </em>In "Phenomenology and Art" (New York City: <span>W. W. Norton & Company, 1975)</span></p>
<p><span>Jean Paul Sartre "Sartre On Theater" (New York City: Pantheon Books. 1976)</span></p>
<p>Hello,</p>
<p>I am surprised not to see Jose Ortega y Gasset and Sartre. </p>
<p>Jose Ortega y Gasset <em>"The Idea of Theater"</em>.<em> </em>In "Phenomenology and Art" (New York City: <span>W. W. Norton & Company, 1975)</span></p>
<p><span>Jean Paul Sartre "Sartre On Theater" (New York City: Pantheon Books. 1976)</span></p> Reply by Flore Garcin-Marrou…tag:performancephilosophy.ning.com,2015-01-07:6528949:Comment:263892015-01-07T21:05:25.685ZRüdiger H. Rimplerhttp://performancephilosophy.ning.com/profile/RuedigerHRimpler
<p><span> Reply by </span><a href="http://performancephilosophy.ning.com/forum/topic/listForContributor?user=3vw2t0yeij6ro" class="fn url">Flore Garcin-Marrou</a><span> on </span><span class="timestamp">October 21, 2013 at 20:16</span></p>
<p>Deleuze is for me an important inspiration that brought me to this platform / plateau. I never realized that Guattari could be even so inspiring. Thanx !</p>
<p><span> Reply by </span><a href="http://performancephilosophy.ning.com/forum/topic/listForContributor?user=3vw2t0yeij6ro" class="fn url">Flore Garcin-Marrou</a><span> on </span><span class="timestamp">October 21, 2013 at 20:16</span></p>
<p>Deleuze is for me an important inspiration that brought me to this platform / plateau. I never realized that Guattari could be even so inspiring. Thanx !</p> Ofer Ravid said:
I'd like t…tag:performancephilosophy.ning.com,2014-11-04:6528949:Comment:258622014-11-04T17:15:46.737ZRobert Perinbanayagamhttp://performancephilosophy.ning.com/profile/RobertPerinbanayagam
<p><br></br> <br></br> <cite>Ofer Ravid said:</cite></p>
<blockquote cite="http://performancephilosophy.ning.com/forum/topics/performance-philosophy-bibliography#6528949Comment4452"><div class="xg_user_generated"><p>I'd like to suggest a few sources to the phenomenology section:</p>
<p><span style="font-size: 100%;">Butler, Judith. “Perfomative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” <i>Performing Feminisms: Feminist Critical Theory and Theatre</i>. Ed. Sue-Ellen…</span></p>
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<p><br/> <br/> <cite>Ofer Ravid said:</cite></p>
<blockquote cite="http://performancephilosophy.ning.com/forum/topics/performance-philosophy-bibliography#6528949Comment4452"><div class="xg_user_generated"><p>I'd like to suggest a few sources to the phenomenology section:</p>
<p><span style="font-size: 100%;">Butler, Judith. “Perfomative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” <i>Performing Feminisms: Feminist Critical Theory and Theatre</i>. Ed. Sue-Ellen Chase, Baltimore: Johns Hopkins University Press, (1990): 270-282.</span></p>
<p><span style="font-size: 100%;">Farleigh, Sondra. “A Vulnerable Glance: Seeing Dance through Phenomenology.” <i>Dance Research Journal,</i> 23.1, (1991): 11-16.</span></p>
<p><span style="font-size: 100%;">Heidegger, Martin. “The Age of the World Picture”. In <i>The Question Concerning Technology and Other Essays.</i> NewYork: Harper & Row, 1977.</span></p>
<p>Jones, Amelia. <i>Body/Art: Performing the Subject</i>. Minneapolis: University of Minnesota Press, 1998.</p>
<p>Kosel, Susan. <i>Closer: Performance, Technologies, Phenomenology</i>. Cambridge, Mass.: MIT Press, 2007</p>
<p>Merleau-Ponty, Maurice. “The intertwining—the Chiasm.” In <i>The Visible and the Invisible</i>. Evanston: Northwestern UP, 1968.</p>
<p>Rayner, Alice. <i>Ghosts: Death's Double and the Phenomena of Theatre</i>. Minneapolis: U. of Minnesota P., 2006.</p>
<p>Shephard, Simon. <i>Theatre, Body and Pleasure</i>. London and New York: Routledge, 2006.</p>
<p>Silverstein, Marc. ““Body-Presence”: Cixous's Phenomenology of Theater.” <i>Theatre Journal</i>, 43.4, (Dec., 1991): 507-516.</p>
<p>Wilshire, Bruce. <i>Role Playing and Identity: The Limits of Theatre as Metaphor</i>. Bloomington: Indiana UP, 1982.</p>
<p></p>
<p>I would like to add the following to the bibliography:</p>
<p>Burke,Kenneth. The Grammar of Motives. Berkeley: University of California Press.</p>
<p>Burke,Kenneth.The Rhetoric of Motives.Berkeley: University of California Press.1969</p>
<p>Goffman, Erving.The Presentation of Self in Everyday Life.Doubleday:New York.1959</p>
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</blockquote> Some suggestions to bolster t…tag:performancephilosophy.ning.com,2014-02-06:6528949:Comment:207132014-02-06T15:34:37.216ZKiff Bamfordhttp://performancephilosophy.ning.com/profile/KiffBamford
<p>Some suggestions to bolster the Lyotard and Performance section (no vested interest there...) Thanks, Kiff</p>
<p><span style="text-decoration: underline;">Lyotard and Performance</span></p>
<p><br></br> Bamford, Kiff (2013) A Late Performance: Intimate Distance (Yingmei Duan). In: Bickis, H. and Shields, R. eds. <em>Rereading Jean-François Lyotard</em>. Farnham, UK: Ashgate</p>
<p><br></br> Bamford, Kiff (2012) <em>Lyotard and the ‘figural’ in Performance, Art and Writing</em>, London & New…</p>
<p>Some suggestions to bolster the Lyotard and Performance section (no vested interest there...) Thanks, Kiff</p>
<p><span style="text-decoration: underline;">Lyotard and Performance</span></p>
<p><br/> Bamford, Kiff (2013) A Late Performance: Intimate Distance (Yingmei Duan). In: Bickis, H. and Shields, R. eds. <em>Rereading Jean-François Lyotard</em>. Farnham, UK: Ashgate</p>
<p><br/> Bamford, Kiff (2012) <em>Lyotard and the ‘figural’ in Performance, Art and Writing</em>, London & New York: Continuum</p>
<p><br/> Bamford, Kiff (2012) ‘Acconci’s Pied-à-terre: Taking the archive for a walk’. <em>Performance Research: a journal of the performing arts</em>, 17 (2), pp. 54-61</p>
<p><br/> Birringer, Johannes (1986) ‘Overexposure: Les Immatériaux’ <em>Performing Arts Journal</em>, 10:2, pp.6-11</p>
<p><br/> Grebowicz, Margaret (ed. 2007) <em>Gender after Lyotard</em>, Albany, NY: State University of New York Press</p>
<p><br/> Jones, Graham (2014) <em>Lyotard Reframed</em>, London: I.B.Tauris</p>
<p><br/> Mendez, Matthew (2013) '. . . A Power of Sonorous Paradoxes . . . ': Passivity, Singularity, and Indifference in Jean-François Lyotard’s Readings of John Cage In: <em>Cultural Politics</em>. Vol. 9 Issue 2. 2013, p170-187.</p>
<p><br/> Readings, Bill (1991) <em>Introducing Lyotard: Art and Politics</em>, London: Routledge</p>
<p><br/> Quick, Andrew (1998) Time and the Event. In: Lash, S ; Quick, A. & Roberts, R. eds <em>Time and Value</em> London: Blackwell</p>
<p></p> Few bibliography additions on…tag:performancephilosophy.ning.com,2014-01-29:6528949:Comment:204032014-01-29T22:32:08.896ZAndrea Pagnes (VestAndPage)http://performancephilosophy.ning.com/profile/AndreaPagnes
<p>Few bibliography additions on Theatre, Performance, Anthropology, Politics. There would be many more to add, of course. I've mentioned my own publication as well, hopefully is not too self-serving. However, I personally think that could be a good idea (just a suggestion) if Performance Philosophy openly fosters all his members to mention their own publication if any.</p>
<p>Barba, Eugenio and Savarese, Nicola (2006) <em>A Dictionary of Anthropolgy: The Secret Art of the Performer…</em></p>
<p>Few bibliography additions on Theatre, Performance, Anthropology, Politics. There would be many more to add, of course. I've mentioned my own publication as well, hopefully is not too self-serving. However, I personally think that could be a good idea (just a suggestion) if Performance Philosophy openly fosters all his members to mention their own publication if any.</p>
<p>Barba, Eugenio and Savarese, Nicola (2006) <em>A Dictionary of Anthropolgy: The Secret Art of the Performer</em> (London and New York: Routledge), revisited ed.</p>
<p>Richards, Thomas (2008) <em>Heart of Practice: within the Workcenter of Jerzy Grotowski and Thomas Richard</em> (London and New York: Routledge)</p>
<p>Schechner, Richard (1985) <em>Between Theatre and Anthropology</em> (University of Pennsylvania Press)</p>
<p>Schechner, Richard (1988) <em>Performance Theory</em> (London and New York: Routledge)</p>
<p>Schechner, Richard and Appel (1990) Willa <em>By Means of Performance: Intercultural Studies of Theatre and Ritual</em> (Cambridge University Press)</p>
<p>Schechner, Richard (2002) <em>Performance Studies: An Introduction</em> (London and New York: Routledge)</p>
<p>Schechner, Richard (2004) <em>The Future of Ritual: Writings on Culture and Performance</em> (New York: Taylor and Francis)</p>
<p>Phelan, Peggy (1993) <em>Unmarked: The Politics of Performance</em> (London: Routledge)</p>
<p>Pagnes, Andrea (2010) <em>The Fall of Faust: Considerations on Contemporary Art and Art Action</em> (Florence: VestAndPage press)</p>
<p></p> Hopefully it is not too self-…tag:performancephilosophy.ning.com,2013-11-14:6528949:Comment:190362013-11-14T13:51:41.453ZMichael Y. Bennetthttp://performancephilosophy.ning.com/profile/MichaelYBennett
<p>Hopefully it is not too self-serving to mention it, but my book on reception theory via epistemological debates is quite applicable to the Performance Philosophy Bibliography:</p>
<p>Michael Y. Bennett, Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism (New York: Palgrave Macmillan, 2012).…</p>
<p></p>
<p>Hopefully it is not too self-serving to mention it, but my book on reception theory via epistemological debates is quite applicable to the Performance Philosophy Bibliography:</p>
<p>Michael Y. Bennett, Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism (New York: Palgrave Macmillan, 2012).</p>
<p><a href="http://us.macmillan.com/wordsspaceandtheaudience/MichaelYBennett" target="_blank">http://us.macmillan.com/wordsspaceandtheaudience/MichaelYBennett</a></p>
<p></p>
<p></p>