Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

  • Anyone can be a member of Performance Philosophy and it is free to join. Just click on the link that says 'Sign Up' in the box above. 
  • All members are free to propose new groups within Performance Philosophy. These can be either geographic or thematic groups. Please see the 'About' page for more information. Or go to 'Groups' to propose a new group.
  • If you have any problems using this website, please contact: 
  • For general enquiries about Performance Philosophy, please contact Laura Cull: l.cull@surrey.ac.uk

Forum

Performing Viral Pandemics?

Started by aha. Last reply by aha May 11, 2020. 2 Replies

Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue

We all have the same dream?

Started by Egemen Kalyon Apr 2, 2020. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15, 2020. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…

Continue

Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

Continue

Events

Videos

  • Add Videos
  • View All

LA PROMENADE DU SCEPTIQUE

Held at:
Academy of Fine Arts, Venice (IT), June 2011.
Theatre Academy, Helsinki (FI), June 2011. In occasion of LAPSody.
PPP Progr Performance Plattform, Bern (CH), June 2011. In occasion of PPP Progr Performance Platform. Curated by Gisela Hochuli.
Galerie KUB, Leipzig (DE), October 2011. In occasion of Blauverschiebung. Curated by Christian Liefke and Franziska Eissler.

Dress design and realization: Students of Department of Design, Accademia di Belle Arti, Venice.

A dark space. The public enters with LED lights and torches. They discover in the centre of the room a blanket covered with broken glass pieces, on one side of the room a woman sitting on a chair, dressed in pages of a book, on the opposite site of the room a man with a big book in his hands. The partners whistle to each other through the darkness and distance. The woman's face is covered by her hair, the man's by a blindfold. The man walks blindly towards the centre. The woman's position on the chair continuously collapses and retakes. The man places the big book in the centre of the blanket on the floor and breathes on its cover and pages until exhaustion. The woman walks blindly towards the centre, crumbling white pages with each step. The man takes off his shoes and blindly enters the carpet of broken glass. The woman, blind and stiff, falls towards the blanket's centre. The man catches her falling body. She walks one time around the blanket, with each step falling onto its centre, the man always catches her, they are both blind. The man takes the woman on his arms and turns around himself in the middle of the broken glass. He places the woman to stand on the big book. He wraps up the blanket with the glass pieces. The woman uncovers her face. The man takes off his shirt. The woman exits the position and the man takes her place. The woman takes off a piece of latex from this back and invites the audience one by one to write on the man's back, asking them: "Do you remember?"

The performance and its title are inspired by the 1747 book "La Promenade du Sceptique" by Denis Diderot.

Photograph by Efa Mühlethaler (Bern)

Views: 50

Add a Comment

You need to be a member of Performance Philosophy to add comments!

Join Performance Philosophy

© 2024   Created by Laura Cull.   Powered by

Badges  |  Report an Issue  |  Terms of Service