Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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Available Online IMAGINED THEATRES issue #03

Started by Daniel Sack Aug 13. 0 Replies

We are pleased to announce the launch of issue #03 of …Continue

Tags: imagined, writing, theatres, open, access

Workshop CFP: The Mimetic Condition: A Transdisciplinary Approach

Started by Daniel Villegas Vélez Jun 3. 0 Replies

Workshop CFP: The Mimetic Condition: A Transdisciplinary ApproachInstitute of Philosophy, KU Leuven (Belgium)December 5-6, 2019Keynote: Prof. Gunter Gebauer (Free University of Berlin)Since the…Continue

Tags: workshop, transdisciplinarity, mimesis

Announcing the Performance Philosophy Crowdfunding Campaign!

Started by Naomi Woo Apr 7. 0 Replies

Performance Philosophy is launching our first…Continue


Started by Lindsay Gianoukas Feb 20. 0 Replies

The Brazilian Journal on Presence Studies [Revista Brasileira de Estudos daPresença], an open access, peer-reviewed, online journal that does notcharge any submission or publication fees, invites…Continue


Blog Posts

Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…


The School of Making Thinking's Summer 2018 Residency Programs

Posted by Aaron Finbloom on January 9, 2018 at 15:01 0 Comments

Hi everyone!

I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )

see below!




The School of Making Thinking hosts Summer Intensives for…


Playing with Virtual Realities - Performances and Symposium

Posted by Einav Katan-Schmid on November 18, 2017 at 13:14 0 Comments

PREMIERE Playing with Virtual Realities  
25. bis 28.01.2018 A research project of the Cluster of Excellence Image Knowledge Gestaltung, Humboldt-University of Berlin   …
Caroline Wilkins
  • Female
  • Bridgwater, Somerset
  • United Kingdom
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Latest Activity

Caroline Wilkins commented on Clara Armand's group Intermedial Performance
"Hello Clara and members of the group Intermedial Performance. I would very much like to exchange thoughts and ideas with you all, being a composer/performer/researcher who works in Sound Theatre. Recently I presented at the PP Biennale in Amsterdam,…"
Mar 22
Caroline Wilkins joined Clara Armand's group

Intermedial Performance

This group will discuss a range of intermedial possibilities, transformations and/or issues at the interart juncture of live and recorded performance. We shall open up a forum to discuss the communicative systems of a range of art forms, which interact within the medium of performance. A media-saturated world has inevitably transformed traditional notions of performance and has inspired new perspectives and aspects of performance theory. The whole framing act of communication has been brought…See More
Mar 22
Caroline Wilkins joined Stuart Grant's group

Phenomenology of Performance

Group for phenomenology in of as or about the study and or practice of performanceSee More
Jan 30, 2016
Caroline Wilkins joined Anthony Gritten's group


This group is interested in the multiple relationships between music, performance, and philosophy. No particular methodology or intellectual tradition is emphasised: the purpose of the group is to further the understanding of philosophy in, and as music performance, and of music performance as philosophy.See More
Jan 30, 2016
Caroline Wilkins posted an event

Open Mic Performance, Theatre as Stratification, IFTR 2014 Congress at Warwick Arts Centre, University of Warwick, Coventry, UK.

July 28, 2014 at 4:30pm to August 1, 2014 at 4:30pm
Beyond the Language of Zaum 3 songs for voice and gramophone horn[zaum=beyonsense].Stemming from the popular traditions of Russian folk and cabaret, these songs originate from the 1st performance art work of the 20th century, Victory over the Sun (1913). Their content touches on aspects of stratification in theatre such as the relationship between audience, spectator and social class.…See More
May 21, 2014
Caroline Wilkins posted an event

Writing and Sound at Arnolfini, Bristol, UK.

January 25, 2014 from 12pm to 6pm special meeting, co-curated with Daniela Cascella (author of EnAbime – Listening, Reading, Writing. An Archival Fiction (Zero Books, 2012)).‘Terms such as art writing or performance writing have become common in recent years as visual artists have increasingly adopted writing as a medium. What then, about equivalents in music and sound art? This session brings…See More
Nov 5, 2013
Caroline Wilkins posted videos
Sep 15, 2013
Caroline Wilkins posted a status
"I'm thinking in my ears and hands: 'find the groove, touch with stylus, swivel disc, lift stylus, touch, lift, touch, lift...'"
Sep 11, 2013
Caroline Wilkins posted photos
Sep 6, 2013
Caroline Wilkins is now a member of Performance Philosophy
Sep 5, 2013

Profile Information

Research Interests
new music composition / performance, sound theater, inter-medial performance, voice & electronics, embodiment & digital media.

Caroline Wilkins - Online publications

 ‘An Expansion of the Admissible: from Live Electronics to Live Performance’ (2011), [Accessed 01.12.11]

 ‘On Hearing the Disposition of the Voice’ (2011), Interference: e- Journal of Audio Culture [online] [Accessed 01.08.11]

 ‘Improvisation as a Creative Dialogue’ (joint paper with Oded Ben-Tal), Perspectives on New Music, Vol.51:1, May 2013, (also in hard copy format).

 ‘Zaum: Beyond Mind - Beyond Time?’, LISA e-journal, proceedings of conference Times Excesses, Caen University, (forthcoming)

Recent book / journal publications:

  ‘A Dramaturgy of Digital Sound: Towards an Aesthetic Approach’, International Journal of the Performing Arts and Digital Media, 9: 2, 2013, Bristol: Intellect Journals.

‘Improvisation as a Creative Dialogue’ (joint paper with Oded Ben-Tal), Perspectives on New Music, Vol.51:1, May 2013.

 ‘Vox Elettronica: Song, Dance and Live Electronics in the Practice of Sound Theatre’, in Dominic Symonds and Millie Taylor (eds.) Gestures of Music Theatre: The Performativity of Song and Dance, Part 6 - Performativity as Practice, Chapter 13, New York: OUP, pp.213-225. (Dec. 2013).






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