Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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  • For general enquiries about Performance Philosophy, please contact Laura Cull: l.cull@surrey.ac.uk

Forum

What does the structureless of shock look like?

Started by Jim Daly. Last reply by Bernard Roddy Feb 22. 1 Reply

You can't impose structure on shock, can you? Continue

Bishop and Bourriaud

Started by Bernard Roddy. Last reply by Monica Gontovnik Aug 19, 2016. 1 Reply

Claire Bishop's book, Artificial Hells, provides a useful resource to engage with a set of works in performance of relevance to studio practice today. I am uploading my notes on the the first pages…Continue

Claire Bishop and Nicholas Bourriaud

Started by Bernard Roddy Jul 26, 2016. 0 Replies

Claire Bishop's book, Artificial Hells, provides a useful resource to engage with a set of works in performance of relevance to studio practice today. I am uploading my notes on the the first pages…Continue

Tags: aesthetics, relational, criticism, art, performance

Nowhere Near London (or, The Late Walter Benjamin)

Started by Fred Dalmasso Jun 23, 2016. 0 Replies

is to be given its premiere in the main auditorium at theWatford Palace Theatre on Monday, July 4th, 7.30pmsee …Continue

Blog Posts

MA Performance

Posted by silvia battista on August 3, 2017 at 9:27 0 Comments

Dear all

Liverpool Hope University is now accepting applications for its new postgraduate programme in performance. I would appreciate if you could pass this information to any graduates who might be interested.

This MA programme offers an interdisciplinary and multicultural perspective on contemporary performance practice and research. It is primarily addressed to practitioners, curators and researches interested in performance as an expanded field of cultural and critical…

Continue

OPEN CALL: Symposium Performance Philosophy School of Athens II

Posted by Stella Dimitrakopoulou on July 20, 2017 at 17:30 0 Comments

Athens, 23-24 September 2017

Performance Philosophy School of Athens II, is a two-day symposium, organised by Stefania Mylona and Stella Dimitrakopoulou, in association with the Performance Philosophy network. This year will focus on Performance Dance, performances of all kinds that stand in-between dance and performance art or more broadly the visual arts world. The symposium…

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THE OBJECT TURNED INSIDE OUT

Posted by Allen Alain Viguier on June 16, 2017 at 17:36 0 Comments

Object art is entirely processual and performative. No object preexists a perspective, a context and a participant-observer. The object post-object was not has been turned on its head, and turned inside out. A site dedicated to second order observation.…

Continue

Notes on Performance art, the Body and the Political.pdf

Posted by Andrea Pagnes (VestAndPage) on March 12, 2017 at 15:54 0 Comments

For anyone interested, I have linked on my page profile at the voice 'texts' my curatorial and post event catalogue text of the 2nd Live art exhibition project Venice International Performance Art Week: Ritual Body-Political Body (Venice, 2014).

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agnes schneidewind joined Felipe Cervera's group
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Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Aug 11, 2016
Fulya Sakarya joined Felipe Cervera's group
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Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Aug 1, 2016
Fulya Sakarya liked Felipe Cervera's group Performance and Science Fiction
Aug 1, 2016
Magdalena Zamorska joined Felipe Cervera's group
Thumbnail

Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Sep 16, 2015
Iddo Gruengard joined Felipe Cervera's group
Thumbnail

Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Mar 25, 2015
Irina Paskalova joined Felipe Cervera's group
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Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Dec 10, 2014
Kevin Stuart Schroder joined Felipe Cervera's group
Thumbnail

Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Nov 28, 2014
Yana Kaprieva commented on Felipe Cervera's group Performance and Science Fiction
"Thank you very much Felipe for sharing - the book looks promising indeed! Somehow your case reminded me about that beautiful & nostalgic video: http://youtu.be/xhB2pFJ9wuQ I suppose science as well as the cosmos and the star dust in it…"
Oct 8, 2014
Yana Kaprieva joined Felipe Cervera's group
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Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Oct 8, 2014
Adva Zakai joined Felipe Cervera's group
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Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Sep 28, 2014
elkevancampenhout@gmail.com joined Felipe Cervera's group
Thumbnail

Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Sep 22, 2014
Jessica Foley joined Felipe Cervera's group
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Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Sep 16, 2014
Mi You joined Felipe Cervera's group
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Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Jul 17, 2014
Tiffany Keane joined Felipe Cervera's group
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Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Jun 6, 2014
Russell Ford joined Felipe Cervera's group
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Performance and Science Fiction

Science Fiction Studies has relied on performance theory in order to define itself.   For instance, the 'father' SF studies, Darko Suvin, relied on Brecht in the development of his definition of SF as the literature of cognitive estrangement. Later, Carl Freedman wrote of the effect that SF performs on the reader. And, more recently, China Miéville  draws from Austin in order to make a point that SF is 'something done with language by someone to someone' and then flirts with Stanislavski by…See More
Jun 1, 2014
Felipe Cervera commented on Felipe Cervera's group Performance and Science Fiction
"For any Gilroy fan out there:  Call for Papers  29th Annual Symposium on African American Culture & Philosophy “BLACK TO THE FUTURE: BLACK CULTURE THROUGH SPACE &…"
May 30, 2014

Profile Information

Institution (if affiliated)
National University of Singapore
Research Interests
Performance theory; Practice as Research; Science Fiction studies; Interculturalism, globalization, and cosmpolitanism as they relate to theatre practice; The post-global.

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