Lara Kipp's Posts - Performance Philosophy2024-03-28T19:45:02ZLara Kipphttp://performancephilosophy.ning.com/profile/LaraKipphttp://storage.ning.com/topology/rest/1.0/file/get/376131798?profile=RESIZE_48X48&width=48&height=48&crop=1%3A1http://performancephilosophy.ning.com/profiles/blog/feed?user=1ys3pa392yl3t&xn_auth=noThe Worth of Wordstag:performancephilosophy.ning.com,2012-10-11:6528949:BlogPost:45152012-10-11T20:00:00.000ZLara Kipphttp://performancephilosophy.ning.com/profile/LaraKipp
<p>Gay McAuley's talk at the TFTS Department in Aberystwyth yesterday made me wonder about the worth of words.</p>
<p>She spoke of a 'wave of official apologies' that were happening across the globe and - if I remember correctly - that she deemed 'necessary'. Perhaps my issue is as much with the politics of such a gesture - the official apology - as with the word 'necessary'. Necessity indicates need, at least to me, especially since it stems from Latin, 'indispensable'. Is there a need for an…</p>
<p>Gay McAuley's talk at the TFTS Department in Aberystwyth yesterday made me wonder about the worth of words.</p>
<p>She spoke of a 'wave of official apologies' that were happening across the globe and - if I remember correctly - that she deemed 'necessary'. Perhaps my issue is as much with the politics of such a gesture - the official apology - as with the word 'necessary'. Necessity indicates need, at least to me, especially since it stems from Latin, 'indispensable'. Is there a need for an absorption of historical (and in some cases still ongoing) trauma into the discourse of politics? She did evaluate the issues surrounding both silence and speech and offered <em>place</em> as a potential alternative to those two.</p>
<p>Yet I cannot help but wonder at the issue of 'genuine' regret, which is perhaps at the heart of an apology, or should be. There is a difference (and perhaps more so to me as a German-speaker) between 'I'm sorry' and 'I apologise', a fine but important line between regret (grief felt over wrongs done, understood and acknowledged) and exculpation (acknowledgement of wrongs done and anderstood, but not necessarily grieved over). In McAuley's examples in particular, but in any situation involving pain caused (by or to others), I seriously wonder what palpable effect words may have. Is it ever 'enough' to say sorry? Will any such lamentation have an effect? What is the intended effect (apart from acknowledgment and perhaps a request for absolution)? Is it possible to amend, to redress grief, which - to me - is both mental/emotional and inherently physical, by language?</p>Pavis, Performance Analysis and Perceptiontag:performancephilosophy.ning.com,2012-10-03:6528949:BlogPost:42532012-10-03T14:30:00.000ZLara Kipphttp://performancephilosophy.ning.com/profile/LaraKipp
<p>Upon reading Pavis' 'Analyzing Performance' (p. 24: "theater lovers capable of feeling and understanding the sensations and movements of their own bodies, [...] the bodies of performers [...] as an <em>auto-bio-graphy</em> in its true sense..."; italics not mine) I wonder: How do we get there? Is practice (i.e. constant exposure to various forms of performance) enough? Do you need to train yourself to "perceiv[e] 'thought-in-action'"? It cannot depend upon the often referred to suspension of…</p>
<p>Upon reading Pavis' 'Analyzing Performance' (p. 24: "theater lovers capable of feeling and understanding the sensations and movements of their own bodies, [...] the bodies of performers [...] as an <em>auto-bio-graphy</em> in its true sense..."; italics not mine) I wonder: How do we get there? Is practice (i.e. constant exposure to various forms of performance) enough? Do you need to train yourself to "perceiv[e] 'thought-in-action'"? It cannot depend upon the often referred to suspension of disbelief for as soon as one is aware of it, one does not employ it anymore and yet I can consciously enjoy a performance, whole-heartedly as well as 'whole-bodied'. How?</p>