Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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  • For general enquiries about Performance Philosophy, please contact Laura Cull: l.cull@surrey.ac.uk

Forum

What does the structureless of shock look like?

Started by Jim Daly. Last reply by Bernard Roddy Feb 22. 1 Reply

You can't impose structure on shock, can you? Continue

Bishop and Bourriaud

Started by Bernard Roddy. Last reply by Monica Gontovnik Aug 19, 2016. 1 Reply

Claire Bishop's book, Artificial Hells, provides a useful resource to engage with a set of works in performance of relevance to studio practice today. I am uploading my notes on the the first pages…Continue

Claire Bishop and Nicholas Bourriaud

Started by Bernard Roddy Jul 26, 2016. 0 Replies

Claire Bishop's book, Artificial Hells, provides a useful resource to engage with a set of works in performance of relevance to studio practice today. I am uploading my notes on the the first pages…Continue

Tags: aesthetics, relational, criticism, art, performance

Nowhere Near London (or, The Late Walter Benjamin)

Started by Fred Dalmasso Jun 23, 2016. 0 Replies

is to be given its premiere in the main auditorium at theWatford Palace Theatre on Monday, July 4th, 7.30pmsee …Continue

Blog Posts

OPEN CALL: Symposium Performance Philosophy School of Athens II

Posted by Stella Dimitrakopoulou on July 20, 2017 at 17:30 0 Comments

Athens, 23-24 September 2017

Performance Philosophy School of Athens II, is a two-day symposium, organised by Stefania Mylona and Stella Dimitrakopoulou, in association with the Performance Philosophy network. This year will focus on Performance Dance, performances of all kinds that stand in-between dance and performance art or more broadly the visual arts world. The symposium…

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THE OBJECT TURNED INSIDE OUT

Posted by Allen Alain Viguier on June 16, 2017 at 17:36 0 Comments

Object art is entirely processual and performative. No object preexists a perspective, a context and a participant-observer. The object post-object was not has been turned on its head, and turned inside out. A site dedicated to second order observation.…

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Notes on Performance art, the Body and the Political.pdf

Posted by Andrea Pagnes (VestAndPage) on March 12, 2017 at 15:54 0 Comments

For anyone interested, I have linked on my page profile at the voice 'texts' my curatorial and post event catalogue text of the 2nd Live art exhibition project Venice International Performance Art Week: Ritual Body-Political Body (Venice, 2014).

DAAD Faculty Summer Seminar on Performance Theory/Performance Practice

Posted by David J Levin on February 20, 2017 at 21:17 0 Comments

Hi All, a quick note to remind everyone that applications for the DAAD Faculty Summer Seminar on Performance Theory & Performance Practice to be held on the campus of the University of Chicago are due March 1. The seminar, organized in cooperation with the Chicago Performance Lab, will take place from June 19, 2017-July 15, 2017. Information on stipends & applications can be found …

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October 2012 Blog Posts (5)

Barthes and Performance

' To stay still and to step aside, both pertain in the end to a method of performance, to play. So it is not surprising that on the impossible horizon of the anarchy of language, at that point where language tries to escape the power inherent in it, to escape its own servility, one finds something that relates to theatre. To indicate the impossible limit of language I have cited two authors : Kierkegaard and Nietzsche. Both of them write , nevertheless. But what was at sake for both of…

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Added by Patrick ffrench on October 17, 2012 at 20:33 — No Comments

Caroline Bergvall event in Cambridge

To mark Caroline Bergvall's arrival as the incoming Judith E Wilson visiting fellow, there will be a special poetry event in the Judith E Wilson Drama Studio, Faculty of English, University of Cambridge.



Monday 15th October, 8 pm.



Caroline Bergvall and Lisa Robertson will present and read from their work.



All welcome.



Judith E Wilson Drama Studio, Faculty of English, 9 West Road, Cambridge CB3 9DP



Caroline Bergvall is a poet of…

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Added by Drew Milne on October 12, 2012 at 12:00 — No Comments

The Worth of Words

Gay McAuley's talk at the TFTS Department in Aberystwyth yesterday made me wonder about the worth of words.

She spoke of a 'wave of official apologies' that were happening across the globe and - if I remember correctly - that she deemed 'necessary'. Perhaps my issue is as much with the politics of such a gesture - the official apology - as with the word 'necessary'. Necessity indicates need, at least to me, especially since it stems from Latin, 'indispensable'. Is there a need for an…

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Added by Lara Kipp on October 11, 2012 at 21:00 — No Comments

Pavis, Performance Analysis and Perception

Upon reading Pavis' 'Analyzing Performance' (p. 24: "theater lovers capable of feeling and understanding the sensations and movements of their own bodies, [...] the bodies of performers [...] as an auto-bio-graphy in its true sense..."; italics not mine) I wonder: How do we get there? Is practice (i.e. constant exposure to various forms of performance) enough? Do you need to train yourself to "perceiv[e] 'thought-in-action'"? It cannot depend upon the often referred to suspension of…

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Added by Lara Kipp on October 3, 2012 at 15:30 — No Comments

Rogue Events Agency: Teh blog that does not take (a) place.

Rogue Event Agency: Teh blog that does not take (a) place.

I have just submitted my Practice Research PhD (on the 31st August) and I am fortunate to be a long-standing Senior Lecturer in the Performing Arts Department at the University Of Chichester since 2003. I am also fortunate to be…

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Added by Andrew Wilford on October 2, 2012 at 5:00 — No Comments

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