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Forum

CFP: Brazilian Journal on Presence Studies: "Decolonial Poetics and Pedagogies"

Started by Luciana da Costa Dias Oct 16. 0 Replies

BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue

Tags: CFP

Knowing by singing: song, acoustic ecologies and the overflow of meaning - CfP RAI 1-3 June 2018

Started by Valeria Lembo Aug 30. 0 Replies

We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue

Tags: Voice, Sound, Embodiment, Ecology, Epistemology

Listening After Oliveros

Started by Ed McKeon Aug 17. 0 Replies

The School of Fine Art, History of Art & Cultural Studies and School of Music at the University of Leeds are very excited to announce Listening after Pauline Oliveros: A Meditation.Thursday 12…Continue

What does the structureless of shock look like?

Started by Jim Daly. Last reply by Bernard Roddy Feb 22. 1 Reply

You can't impose structure on shock, can you? Continue

Blog Posts

Playing with Virtual Realities - Performances and Symposium

Posted by Einav Katan-Schmid on November 18, 2017 at 13:14 0 Comments

PREMIERE Playing with Virtual Realities  
25. bis 28.01.2018 A research project of the Cluster of Excellence Image Knowledge Gestaltung, Humboldt-University of Berlin   …
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looking or people/events/conferences etc

Posted by Veronica Marina Fazzio Welf on November 11, 2017 at 16:52 0 Comments

I am working on my Phd Thesis and looking for people that works with concepts of post humanism, post anthropocene & social sculpture, I am from Buenos Aires, based in Miami Beach, doing my phD in Plymouth University, UK...not sure if I should start a new group...any suggestions?

Aesthetics of Contemplation: Poetry Leaves

Posted by Jack Beglin on October 3, 2017 at 14:06 0 Comments

He met her in the foyer of a theatre, novel in her hand, clip board in his hand,

Market research on the tip of his tongue,…

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Videos

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Last Train - HowTheLightGetsIn Festival, Hay-on-Wye 31st May 2016

Last Train - a thought thriller

a play of voices by Fred Dalmasso & John Schad - based on John Schad’s 2007 book Someone Called Derrida

HowTheLightGetsIn Festival, Hay-on-Wye 31st May 2016

https://howthelightgetsin.iai.tv/events/last-train-to-oxford-2309

Someone called Jacques Derrida, the philosopher, someone called him on the phone, someone who was dead.  A mystery, he thought, a mystery that begins in 1968 when Derrida visits Oxford and there he dies, several times.  Murder, he thought. So too thought another man, an Oxonian dying of dementia in 1996.  And so we investigate, not just the Oxford of the 1960s but the Oxford of the 1930s and an English public school in the middle of the Second World War.  In the end, at the end, the question is: can one die of another's death?

‘an incredibly daring exercise in transgression’

‘Finding meaning in the otherwise meaningless is what drives the unfolding mystery. Distinct events and lives – at first seeming coincidences – become inextricably tangled and soon unignorable, like not only being able to see the face of the Man in the Moon but also being able to feel his hands around your throat.’

‘Intensely personal, innovative, and indefatigably intriguing’ (Dan Hall)

‘I felt I was in the presence of something immense’ (Freya Gallagher-Jones)

‘a deeply moving (for being playful, and restrained) search for the truth hidden in the confabulations of a memory that may not be trusted any more, an attempt to communicate with a father with whom direct communication becomes impossible, or subject to doubt’ (Gogue)

 About the book:

  • ‘an extraordinary performance’ (Sir Frank Kermode)
  • ‘caught my imagination straight away’ (Rowan Williams, Archbishop of Canterbury)
  • ‘an amazing book… one of the most original on Derrida’ (J. Hillis Miller)
  • ‘a remarkable novel’ (Ian Macmillan, on BBC Radio 3′s ‘The Verb’)

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