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Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
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Time: April 6, 2017 to April 8, 2017
Location: Academy of Dramatic Art, University of Zagreb
Street: Trg Maršala Tita 5
City/Town: HR-10000 Zagreb, Croatia
Website or Map: http://www.adu.unizg.hr
Event Type: international, conference
Organized By: Sibila Petlevski/ Academy of Dramatic Art
Latest Activity: Jan 5, 2017
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"Narratology and its Discontents: Narrating Beyond Narration"
International Conference held at the Academy of Dramatic Art, University of Zagreb
6th – 8th April 2017
Keynote Speakers:
Mieke Bal
Jan Christoph Meister
Josette Féral
The scope of this Conference is intended to represent a wide range of topics related to the study of logic and principles of narrative production, but also to “postclassical” narratology that goes beyond it’s structuralist background focusing on the ways that narrative structures our perception of social and cultural phenomena and helps us construct meaning in general.
We are interested in the contextuality of the modes of narrative representation, in its historicity, and in its pragmatic and artistic functions across different media.
Relevant is the philosophy of action in the theory of narrative, in the narrative as communication, in cross-cultural narration, in cognitive theory of narrative acts, and the concept of performativity in narratology connected to the embodied ways of knowing.
At stake is also narrative explanation in science and knowledge transfer in education, and in a whole range of other topics that transform narratological study into a plethora of different, often interdisciplinary, mixed-method research approaches.
Our special guest is a Dutch cultural theorist, critic, video artist and filmmaker. Mieke Bal. Hence, the motto of our conference is taken from Mieke Bal’s thesis on the use of narratology for cultural analysis where she defines narrative as a cultural attitude, and narratology as a perspective on culture.
“What I propose we are best off with in the age of cultural studies is a conception of narratology that implicates text and reading, subject and object, production and analysis, in the act of understanding. In other words, I advocate a narrative theory that enables the differentiation of the place of narrative in any cultural expression without privileging any medium, mode, or use; that differentiates its relative importance and the effect of the narrative (segments) on the remainder of the object as well as on the reader, listener, viewer. A theory, that is, which defines and describes narrativity, not narrative; not a genre or object but a cultural mode of expression.” (Bal, Narratology Introduction to the Theory of Narrative Second Edition, 1997: 222)
Call for Proposals announced on
http://artandscienceresearch.hr
More information on Conference https://www.facebook.com/Narratology-and-its-Discontents-International-Conference-1675265589452757/
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Proposals for all formats need to be submitted by
Sunday February 5th 2017
(and will be answered by 6st March 2017)
All submissions will be subject to review.
Please, send your proposal in one (1) single document consisting of the following:
Please ensure that you include your surname as the first word in the file name of the document you send.
Please do not send any additional documents beyond the material requested above.
Send your proposals at: application@artandscienceresearch.hr
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