critical resources and bibliography - Performance Philosophy2024-03-29T09:32:28Zhttps://performancephilosophy.ning.com/forum/topics/critical-resources-and-bibliography?groupUrl=marxism&commentId=6528949%3AComment%3A2031&groupId=6528949%3AGroup%3A1351&feed=yes&xn_auth=noI would recommend works of Sl…tag:performancephilosophy.ning.com,2013-12-20:6528949:Comment:193732013-12-20T23:23:51.708ZMario Kikašhttps://performancephilosophy.ning.com/profile/MarioKikas
<p>I would recommend works of Slovenian scholar Bojana Kunst in: <a href="http://www.amazon.com/Emerging-Bodies-Performance-Worldmaking-Choreography/dp/3837615960" rel="nofollow" target="_blank">http://www.amazon.com/Emerging-Bodies-Performance-Worldmaking-Chore...</a> and <a href="https://www.diaphanes.net/buch/artikel/2127" rel="nofollow" target="_blank">https://www.diaphanes.net/buch/artikel/2127</a><br></br>She has also very recently published a very good book in Slovenian Artist at Work.…</p>
<p>I would recommend works of Slovenian scholar Bojana Kunst in: <a rel="nofollow" href="http://www.amazon.com/Emerging-Bodies-Performance-Worldmaking-Choreography/dp/3837615960" target="_blank">http://www.amazon.com/Emerging-Bodies-Performance-Worldmaking-Chore...</a> and <a rel="nofollow" href="https://www.diaphanes.net/buch/artikel/2127" target="_blank">https://www.diaphanes.net/buch/artikel/2127</a><br/>She has also very recently published a very good book in Slovenian Artist at Work. <a rel="nofollow" href="http://www.maska.si/index.php?id=19&id=19&tx_ttnews" target="_blank">http://www.maska.si/index.php?id=19&id=19&tx_ttnews[tt_news]=1139&cHash=fb210cc6eee647007e1daf8d6f2bd965&L=1</a></p> George Hartley (2003): The Ab…tag:performancephilosophy.ning.com,2013-07-13:6528949:Comment:155882013-07-13T07:59:23.042ZAngela Vadorihttps://performancephilosophy.ning.com/profile/AngelaVadori
<p>George Hartley (2003): The Abyss of Representation. Marxism and the Postmodern Sublime. London: Duke University Press.<br></br> <br></br> <cite>Eva Urban said:</cite></p>
<blockquote cite="http://performancephilosophy.ning.com/forum/topics/critical-resources-and-bibliography?groupUrl=marxism&#6528949Comment5206"><div><div class="xg_user_generated"><p><strong><br></br></strong>Hey Drew and all,</p>
<p>I've assembled a short list with material that I would consider relevant, some examples from…</p>
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<p>George Hartley (2003): The Abyss of Representation. Marxism and the Postmodern Sublime. London: Duke University Press.<br/> <br/> <cite>Eva Urban said:</cite></p>
<blockquote cite="http://performancephilosophy.ning.com/forum/topics/critical-resources-and-bibliography?groupUrl=marxism&#6528949Comment5206"><div><div class="xg_user_generated"><p><strong><br/></strong>Hey Drew and all,</p>
<p>I've assembled a short list with material that I would consider relevant, some examples from different related areas, perhaps it can serve as a starting point for developing a specific reading list together.</p>
<p><strong> </strong></p>
<p><strong>Marxism and Performance Reading List</strong></p>
<p>David Barnett. Brechtian theory as practice: the Berliner Ensemble stages Der Messingkauf in 1963. Theatre, Dance and Performance Training, 2 (1), 2011, pp. 4-17.</p>
<p>David Barnett. Toward a definition of post-Brechtian performance: the example of 'In the Jungle of the Cities' at the Berliner Ensemble, 1971. Modern Drama, 54 (3). pp. 333-356.</p>
<p>David Barnett. Collective dramaturgy: a Marxist challenge to the modern stage, or: Heiner Müller's political theatre of destruction. In: Heiner Müller: Probleme und Perspektiven. Rodopi, 2010, pp. 45-55.</p>
<p>Sara Jane Bailes. Performance theatre and the poetics of failure. Routledge Theatre and Performance. Routledge, 2010.</p>
<p>Matthew Beaumont et al. As radical as reality itself: essays on Marxism and art for the 21st century. Bern: Peter Lang, 2007.</p>
<p>Tom Behan. Dario Fo: Revolutionary Theatre. London: Pluto, 2000.</p>
<p>Peter Boxall. Ed. Samuel Beckett: Waiting for Godot and Endgame: A Reader’s Guide to Essential Criticism. Basingstoke: Palgrave Macmillan, 2003.</p>
<p>Simon Boxley. ‘Performativity and Capital in Schools.’ Journal for Critical Education Policy Studies Volume 1, Number 1 (March 2003).</p>
<p>David Bradby et al. (eds) Performance and Politics in Popular Drama. Cambridge University Press, 1980.</p>
<p>Bertolt Brecht, ‘A Short Organum for the Theatre’ in Brecht on Theatre: the development of an aesthetic, edited and translated by John Willett. Methuen, 1964.</p>
<p>Jill Dolan. Utopia in Performance: Finding Hope at the Theatre. University of Michigan Press, 2005.</p>
<p>Lynn Garafola. Dhiagilev’s Ballets Russes. New York: Oxford University Press, 1989.</p>
<p>Lizbeth Goodman, with Jane de Gay (eds.). The Routledge Reader in Politics and Performance. London: Routledge, 2000.</p>
<p>Jen Harvie. 'Remembering the nations: site-specific performance, memory, and identities.’ Staging the UK. Manchester University Press, 2005.</p>
<p>G. Holderness. ‘Production, reproduction, performance: Marxism, history, theatre '. In F. Baker , P. Hulme & M. Iversen (eds), Uses of History: Marxism, Postmodernism and the Renaissance (Literature, politics, theory: the Essex symposia) . Manchester University Press, Manchester, 1991, pp. 153-178.</p>
<p>Joseph Long, ‘Introduction’ in Armand Gatti, Joseph Long (transl.). Three Plays. Sheffield Academic Press, 2000.</p>
<p>Marion Kant. The Cambridge Companion to Ballet. Cambridge, 2007.</p>
<p>Jon McKenzie. Perform or Else: From Discipline to Performance. London: Routledge, 2001.</p>
<p>Douglas Kellner. Herbert Marcuse and the Crisis of Marxism. Berkeley: University of California Press, 1984.</p>
<p>Baz Kershaw. The Politics of Performance: Radical theatre as cultural intervention. London: Routledge, 1992.</p>
<p>Baz Kershaw, ‘Pathologies of Hope’ in The Radical in Performance: Between Brecht and Baudrillard.</p>
<p>Dorothy Knowles. Armand Gatti in the Theatre: Wild Duck against the Wind. Athlone Press, 1989.</p>
<p>Loren Kruger. Post-Imperial Brecht: Politics and Performance East and South. Cambridge, 2004.</p>
<p>Loren Kruger. "Reviving Die heilige Johanna der Schlachthöfe: speculation and solidarity in the era of capitalism resurgent." Brecht and the GDR: Culture, Politics, Posterity, ed Karen Leeder and Laura Bradley. Edinburgh German Yearbook, 2011.</p>
<p>Loren Kruger. The Drama of South Africa: Plays, Pageants and Publics since 1910. Routledge, 1999.</p>
<p>Loren Kruger. The National Stage: Theatre and Cultural Legitimation in England, France, and America. U of Chicago P, 1992.</p>
<p>Carol Lee. Ballet in Western Culture: A History of its Origins and Evolution. New York: Routledge, 2002.</p>
<p>Patrick Lonergan. Theatre and Globalization: Irish Drama in the Celtic Tiger Era. Basingstoke: Palgrave Macmillan, 2008.</p>
<p>Mary Luckhurst. Dramaturgy: A Revolution in Theatre, Cambridge University Press, 2006.</p>
<p>Bradley MacDonald, J. Performing Marx: Contemporary Negotiations of a Living Tradition. New York: State University, 2006.</p>
<p>Victor Merriman. Because we are poor: Irish Theatre in the 1990’s. Dublin: Carysfort Press, 2011.</p>
<p>Drew Milne. "Processual Performance: Critical Notes on Adorno's Autonomous Artwork", As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century, eds. Matthew Beaumont, Andrew Hemingway, Esther Leslie, John Roberts. Peter Lang AG, 2007, 347-66.</p>
<p>Drew Milne. ‘Performance over being: Frank O'Hara's artifice.’ Textual Practice, Volume 25, Issue 2, 2011.</p>
<p>Paul Murphy. Hegemony and Fantasy in Irish Drama, 1899-1949. Basingstoke: Palgrave Macmillan, 2008.</p>
<p>Dan Rebellato. Theatre and Globalization. Basingstoke: Palgrave Macmillan, 2009.</p>
<p>Janelle Reinelt, ‘Caryl Churchill: ‘Socialist Feminism and Brechtian Dramaturgy’ in After Brecht: British Epic Theatre. University of Michigan Press, 1996.</p>
<p>Mike Sell. Avant-Garde Performance and the Limits of Criticism. University of Michigan Press, 2008.</p>
<p>Maynard Solomon. Marxism and Art: Essays Classic and Contemporary. New York: Vintage Books, 1974.</p>
<p>Peter Thomson. Ed. The Cambridge Companion to Bertolt Brecht. Cambridge: 2006.</p>
<p>Eva Urban. Community Politics and the Peace Process in Contemporary Northern Irish Drama. Oxford: Peter Lang, 2011.</p>
<p>David Williams. Collaborative Theatre: The Théâtre du Soleil Sourcebook. London: New York, 1999.</p>
<p>Raymond Williams. Drama from Ibsen to Brecht. London: Chatto and Windus, 1968.</p>
<p>Raymond Williams. Drama in Performance. Open University Press, 1991.</p>
<p></p>
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</blockquote> Hey Drew and all,
I've assemb…tag:performancephilosophy.ning.com,2012-11-01:6528949:Comment:52062012-11-01T18:19:59.470ZEva Urbanhttps://performancephilosophy.ning.com/profile/EvaUrban
<p><strong><br></br></strong>Hey Drew and all,</p>
<p>I've assembled a short list with material that I would consider relevant, some examples from different related areas, perhaps it can serve as a starting point for developing a specific reading list together.</p>
<p><strong> </strong></p>
<p><strong>Marxism and Performance Reading List</strong></p>
<p>David Barnett. Brechtian theory as practice: the Berliner Ensemble stages Der Messingkauf in 1963. Theatre, Dance and Performance Training, 2 (1),…</p>
<p><strong><br/></strong>Hey Drew and all,</p>
<p>I've assembled a short list with material that I would consider relevant, some examples from different related areas, perhaps it can serve as a starting point for developing a specific reading list together.</p>
<p><strong> </strong></p>
<p><strong>Marxism and Performance Reading List</strong></p>
<p>David Barnett. Brechtian theory as practice: the Berliner Ensemble stages Der Messingkauf in 1963. Theatre, Dance and Performance Training, 2 (1), 2011, pp. 4-17.</p>
<p>David Barnett. Toward a definition of post-Brechtian performance: the example of 'In the Jungle of the Cities' at the Berliner Ensemble, 1971. Modern Drama, 54 (3). pp. 333-356.</p>
<p>David Barnett. Collective dramaturgy: a Marxist challenge to the modern stage, or: Heiner Müller's political theatre of destruction. In: Heiner Müller: Probleme und Perspektiven. Rodopi, 2010, pp. 45-55.</p>
<p>Sara Jane Bailes. Performance theatre and the poetics of failure. Routledge Theatre and Performance. Routledge, 2010.</p>
<p>Matthew Beaumont et al. As radical as reality itself: essays on Marxism and art for the 21st century. Bern: Peter Lang, 2007.</p>
<p>Tom Behan. Dario Fo: Revolutionary Theatre. London: Pluto, 2000.</p>
<p>Peter Boxall. Ed. Samuel Beckett: Waiting for Godot and Endgame: A Reader’s Guide to Essential Criticism. Basingstoke: Palgrave Macmillan, 2003.</p>
<p>Simon Boxley. ‘Performativity and Capital in Schools.’ Journal for Critical Education Policy Studies Volume 1, Number 1 (March 2003).</p>
<p>David Bradby et al. (eds) Performance and Politics in Popular Drama. Cambridge University Press, 1980.</p>
<p>Bertolt Brecht, ‘A Short Organum for the Theatre’ in Brecht on Theatre: the development of an aesthetic, edited and translated by John Willett. Methuen, 1964.</p>
<p>Jill Dolan. Utopia in Performance: Finding Hope at the Theatre. University of Michigan Press, 2005.</p>
<p>Lynn Garafola. Dhiagilev’s Ballets Russes. New York: Oxford University Press, 1989.</p>
<p>Lizbeth Goodman, with Jane de Gay (eds.). The Routledge Reader in Politics and Performance. London: Routledge, 2000.</p>
<p>Jen Harvie. 'Remembering the nations: site-specific performance, memory, and identities.’ Staging the UK. Manchester University Press, 2005.</p>
<p>G. Holderness. ‘Production, reproduction, performance: Marxism, history, theatre '. In F. Baker , P. Hulme & M. Iversen (eds), Uses of History: Marxism, Postmodernism and the Renaissance (Literature, politics, theory: the Essex symposia) . Manchester University Press, Manchester, 1991, pp. 153-178.</p>
<p>Joseph Long, ‘Introduction’ in Armand Gatti, Joseph Long (transl.). Three Plays. Sheffield Academic Press, 2000.</p>
<p>Marion Kant. The Cambridge Companion to Ballet. Cambridge, 2007.</p>
<p>Jon McKenzie. Perform or Else: From Discipline to Performance. London: Routledge, 2001.</p>
<p>Douglas Kellner. Herbert Marcuse and the Crisis of Marxism. Berkeley: University of California Press, 1984.</p>
<p>Baz Kershaw. The Politics of Performance: Radical theatre as cultural intervention. London: Routledge, 1992.</p>
<p>Baz Kershaw, ‘Pathologies of Hope’ in The Radical in Performance: Between Brecht and Baudrillard.</p>
<p>Dorothy Knowles. Armand Gatti in the Theatre: Wild Duck against the Wind. Athlone Press, 1989.</p>
<p>Loren Kruger. Post-Imperial Brecht: Politics and Performance East and South. Cambridge, 2004.</p>
<p>Loren Kruger. "Reviving Die heilige Johanna der Schlachthöfe: speculation and solidarity in the era of capitalism resurgent." Brecht and the GDR: Culture, Politics, Posterity, ed Karen Leeder and Laura Bradley. Edinburgh German Yearbook, 2011.</p>
<p>Loren Kruger. The Drama of South Africa: Plays, Pageants and Publics since 1910. Routledge, 1999.</p>
<p>Loren Kruger. The National Stage: Theatre and Cultural Legitimation in England, France, and America. U of Chicago P, 1992.</p>
<p>Carol Lee. Ballet in Western Culture: A History of its Origins and Evolution. New York: Routledge, 2002.</p>
<p>Patrick Lonergan. Theatre and Globalization: Irish Drama in the Celtic Tiger Era. Basingstoke: Palgrave Macmillan, 2008.</p>
<p>Mary Luckhurst. Dramaturgy: A Revolution in Theatre, Cambridge University Press, 2006.</p>
<p>Bradley MacDonald, J. Performing Marx: Contemporary Negotiations of a Living Tradition. New York: State University, 2006.</p>
<p>Victor Merriman. Because we are poor: Irish Theatre in the 1990’s. Dublin: Carysfort Press, 2011.</p>
<p>Drew Milne. "Processual Performance: Critical Notes on Adorno's Autonomous Artwork", As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century, eds. Matthew Beaumont, Andrew Hemingway, Esther Leslie, John Roberts. Peter Lang AG, 2007, 347-66.</p>
<p>Drew Milne. ‘Performance over being: Frank O'Hara's artifice.’ Textual Practice, Volume 25, Issue 2, 2011.</p>
<p>Paul Murphy. Hegemony and Fantasy in Irish Drama, 1899-1949. Basingstoke: Palgrave Macmillan, 2008.</p>
<p>Dan Rebellato. Theatre and Globalization. Basingstoke: Palgrave Macmillan, 2009.</p>
<p>Janelle Reinelt, ‘Caryl Churchill: ‘Socialist Feminism and Brechtian Dramaturgy’ in After Brecht: British Epic Theatre. University of Michigan Press, 1996.</p>
<p>Mike Sell. Avant-Garde Performance and the Limits of Criticism. University of Michigan Press, 2008.</p>
<p>Maynard Solomon. Marxism and Art: Essays Classic and Contemporary. New York: Vintage Books, 1974.</p>
<p>Peter Thomson. Ed. The Cambridge Companion to Bertolt Brecht. Cambridge: 2006.</p>
<p>Eva Urban. Community Politics and the Peace Process in Contemporary Northern Irish Drama. Oxford: Peter Lang, 2011.</p>
<p>David Williams. Collaborative Theatre: The Théâtre du Soleil Sourcebook. London: New York, 1999.</p>
<p>Raymond Williams. Drama from Ibsen to Brecht. London: Chatto and Windus, 1968.</p>
<p>Raymond Williams. Drama in Performance. Open University Press, 1991.</p>
<p></p> Very useful on performance t…tag:performancephilosophy.ning.com,2012-09-10:6528949:Comment:24392012-09-10T20:41:07.203Zbruno roubicekhttps://performancephilosophy.ning.com/profile/brunoroubicek
<p></p>
<p>Very useful on performance theatre and marxism is:</p>
<p>Sara Jane Bailles, Performance Theatre and The Poetics of Failure.</p>
<p><span>Routledge, 2011</span></p>
<p></p>
<p>Very useful on performance theatre and marxism is:</p>
<p>Sara Jane Bailles, Performance Theatre and The Poetics of Failure.</p>
<p><span>Routledge, 2011</span></p> That would be great. Assembli…tag:performancephilosophy.ning.com,2012-09-06:6528949:Comment:20312012-09-06T08:48:16.492ZDrew Milnehttps://performancephilosophy.ning.com/profile/DrDrewMilne
<p>That would be great. Assembling a few resources would help a sense of where we are too.<br></br> <br></br> <cite>Edward Lewis said:</cite></p>
<blockquote cite="http://performancephilosophy.ning.com/forum/topics/critical-resources-and-bibliography?groupUrl=marxism&#6528949Comment1780"><div><div class="xg_user_generated"><p>I have a number of items that would contribute to a bibliography. I'm not in an academic post at the moment so I don't have them immediately to hand but I will dig them out…</p>
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<p>That would be great. Assembling a few resources would help a sense of where we are too.<br/> <br/> <cite>Edward Lewis said:</cite></p>
<blockquote cite="http://performancephilosophy.ning.com/forum/topics/critical-resources-and-bibliography?groupUrl=marxism&#6528949Comment1780"><div><div class="xg_user_generated"><p>I have a number of items that would contribute to a bibliography. I'm not in an academic post at the moment so I don't have them immediately to hand but I will dig them out and post them. I contributed the Marxist/Gramscian element to a Critical Theory unit I wrote for a Drama degree a few years back and should have the details somewhere. Perhaps between us all we can create an up-to-date working bibliography. </p>
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</blockquote> I have a number of items that…tag:performancephilosophy.ning.com,2012-09-05:6528949:Comment:17802012-09-05T12:50:17.741ZEdward Lewishttps://performancephilosophy.ning.com/profile/EdwardLewis
<p>I have a number of items that would contribute to a bibliography. I'm not in an academic post at the moment so I don't have them immediately to hand but I will dig them out and post them. I contributed the Marxist/Gramscian element to a Critical Theory unit I wrote for a Drama degree a few years back and should have the details somewhere. Perhaps between us all we can create an up-to-date working bibliography. </p>
<p>I have a number of items that would contribute to a bibliography. I'm not in an academic post at the moment so I don't have them immediately to hand but I will dig them out and post them. I contributed the Marxist/Gramscian element to a Critical Theory unit I wrote for a Drama degree a few years back and should have the details somewhere. Perhaps between us all we can create an up-to-date working bibliography. </p>