Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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  • For general enquiries about Performance Philosophy, please contact Laura Cull: l.cull@surrey.ac.uk

Forum

Performing Viral Pandemics?

Started by aha. Last reply by aha May 11, 2020. 2 Replies

Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue

We all have the same dream?

Started by Egemen Kalyon Apr 2, 2020. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15, 2020. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…

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Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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James Chaytor
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James Chaytor's Page

Latest Activity

James Chaytor posted a photo
Apr 4, 2020
James Chaytor joined Liza Kharoubi-Echenique's group
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PERFORMANCE PHILOSOPHY - FRANCE

The aim of the group is to gather scholars living in France around the concept of "performance philosophy" to exchange, develop this field of study, and possibly create future events in French Universities. See More
Apr 1, 2020
James Chaytor joined James McNicholas's group
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Theatre and Philosophical Principles

Theatre practitioners have often underpinned their training and performance practices with principles. Those principles can often be defined and described as being philosophical in nature and focus. Obvious names are Grotowski, Gordon-Craig, Suzuki and Artaud, to name but a few.This group explores theatrical practices based around or culminating in philosophical principles, which often begin not as philosophy, but rather emerge from theatrical practice itself.See More
Mar 27, 2020
James Chaytor joined Nik Wakefield's group
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Bergson, Duration and Performance

This group brings together those interested in the philosophy of Henri Bergson and performance.See More
Aug 26, 2019

Profile Information

Research Interests
Creating spaces for communal thinking through performance.

A central theme of interest is emergence - of knowledge, aesthetic form and social dynamic. Theory and praxis drawn from Expressive Arts Therapy and contemporary French philosophy - Gilles Deleuze/Felix Guattari, Henri Bergson.

Proposal for Doctoral Research:

This research investigates the relationship between creative emergence and impossibility in and through collaborative performance making. It draws on the philosophy of Gilles Deleuze and associated process philosophies, as well as grounding this theory in performance-based research. The performance laboratory uses Expressive Arts (ExA) methodology and the researcher's experience of working in this field. ExA brings to the field of Performance Philosophy techniques that facilitate the two-way dialog between theory and practice, generating ideas grounded in experience that articulate with the existing knowledge field. The researcher aims to demonstrate a remarkable fit between the thought of Deleuze and ExA practice in order to contribute to understanding about the psychological and social nature of research and the generation of knowledge. Findings would bring new methodological possibilities to Performance Philosophy, insights to Deleuze Studies, and contribute new knowledge to understandings of creativity and collaborative practices in Theatre and Performance Studies and beyond.

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