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Forum

What does the structureless of shock look like?

Started by Jim Daly. Last reply by Bernard Roddy Feb 22. 1 Reply

You can't impose structure on shock, can you? Continue

Bishop and Bourriaud

Started by Bernard Roddy. Last reply by Monica Gontovnik Aug 19, 2016. 1 Reply

Claire Bishop's book, Artificial Hells, provides a useful resource to engage with a set of works in performance of relevance to studio practice today. I am uploading my notes on the the first pages…Continue

Claire Bishop and Nicholas Bourriaud

Started by Bernard Roddy Jul 26, 2016. 0 Replies

Claire Bishop's book, Artificial Hells, provides a useful resource to engage with a set of works in performance of relevance to studio practice today. I am uploading my notes on the the first pages…Continue

Tags: aesthetics, relational, criticism, art, performance

Nowhere Near London (or, The Late Walter Benjamin)

Started by Fred Dalmasso Jun 23, 2016. 0 Replies

is to be given its premiere in the main auditorium at theWatford Palace Theatre on Monday, July 4th, 7.30pmsee …Continue

Blog Posts

OPEN CALL: Symposium Performance Philosophy School of Athens II

Posted by Stella Dimitrakopoulou on July 20, 2017 at 17:30 0 Comments

Athens, 23-24 September 2017

Performance Philosophy School of Athens II, is a two-day symposium, organised by Stefania Mylona and Stella Dimitrakopoulou, in association with the Performance Philosophy network. This year will focus on Performance Dance, performances of all kinds that stand in-between dance and performance art or more broadly the visual arts world. The symposium…

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THE OBJECT TURNED INSIDE OUT

Posted by Allen Alain Viguier on June 16, 2017 at 17:36 0 Comments

Object art is entirely processual and performative. No object preexists a perspective, a context and a participant-observer. The object post-object was not has been turned on its head, and turned inside out. A site dedicated to second order observation.…

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Notes on Performance art, the Body and the Political.pdf

Posted by Andrea Pagnes (VestAndPage) on March 12, 2017 at 15:54 0 Comments

For anyone interested, I have linked on my page profile at the voice 'texts' my curatorial and post event catalogue text of the 2nd Live art exhibition project Venice International Performance Art Week: Ritual Body-Political Body (Venice, 2014).

DAAD Faculty Summer Seminar on Performance Theory/Performance Practice

Posted by David J Levin on February 20, 2017 at 21:17 0 Comments

Hi All, a quick note to remind everyone that applications for the DAAD Faculty Summer Seminar on Performance Theory & Performance Practice to be held on the campus of the University of Chicago are due March 1. The seminar, organized in cooperation with the Chicago Performance Lab, will take place from June 19, 2017-July 15, 2017. Information on stipends & applications can be found …

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Call for projects: Believe, create, desire: make with the other

Event Details

Call for projects: Believe, create, desire: make with the other

Time: November 15, 2017 at 5pm to November 19, 2017 at 5pm
Location: Le Cube and le Point Ephemère
City/Town: Issy les Moulienaux and Paris
Website or Map: https://www.facebook.com/digi…
Event Type: manifestation, /, workshop
Organized By: Les Ecrans de la Liberté
Latest Activity: Apr 18

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Event Description

Anthropologies Numériques / Digital Anthropologies #5
Le Cube - Centre de création numérique, Issy-les-Moulineaux
et Le Point Éphémère, Paris, France, 15-19 novembre 2017

Call for projects: deadline the 30 of April

In a political climate where the desires, creations and beliefs that animate us are increasingly endangered, we have chosen to organize the 5th edition of Digital Anthropologies around the idea of collective space-time.

We want to create an inclusive space for all means or interventions that elicit the deepening of dialogue and interaction with the public. We invite researchers in the social sciences and the humanities, filmmakers, photographers, visual artists, digital practitioners as well as artists from performance, dance and theatre to share their research methods and methodologies, practices, and representational strategies, as a means of imagining modes of research that blur disciplinary conventions and boundaries.

It is our aim to disrupt the traditional division of labor between artistic expression, scientific production and technical intervention. How, through digital technologies, can corporeal, visual, audio or otherwise immaterial narratives, allow us to consider and interrogate the multiple and disparate realities of the world we inhabit?

As intercessors, you are constantly revealing and interrogating these orientations: whether to introduce singular perceptions, spaces where individual trajectories and collective fates meet, collide, or mutually enrich; or to expose these intersections—places where new modes of life, and rapports with the world, can emerge.

Since your modes of production and writing require unprecedented space-time of collective reception, our intention is to offer a rightful place to works that are excluded from usual channels of diffusion, by economic reasoning or processes of control, and shatter the accepted rituals of relationships between creators and the public.

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