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Material related to Tempting Failure, or “Learniing From Mistakes”

Started by john forester Jul 17. 0 Replies

A symposium on learning from mistakes in settings of city planning, drawing in part on Frank Barrett’s work on jazz in his striking Yes to the Mess:    See …Continue

Tags: aesthetics, of, cooperation, mis-takes, improvisation

CFP: Brazilian Journal on Presence Studies: "Decolonial Poetics and Pedagogies"

Started by Luciana da Costa Dias Oct 16, 2017. 0 Replies

BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue

Tags: CFP

Knowing by singing: song, acoustic ecologies and the overflow of meaning - CfP RAI 1-3 June 2018

Started by Valeria Lembo Aug 30, 2017. 0 Replies

We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue

Tags: Voice, Sound, Embodiment, Ecology, Epistemology

Listening After Oliveros

Started by Ed McKeon Aug 17, 2017. 0 Replies

The School of Fine Art, History of Art & Cultural Studies and School of Music at the University of Leeds are very excited to announce Listening after Pauline Oliveros: A Meditation.Thursday 12…Continue

Blog Posts

Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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The School of Making Thinking's Summer 2018 Residency Programs

Posted by Aaron Finbloom on January 9, 2018 at 15:01 0 Comments

Hi everyone!

I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )



see below!

best,

Aaron



~



The School of Making Thinking hosts Summer Intensives for…

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Playing with Virtual Realities - Performances and Symposium

Posted by Einav Katan-Schmid on November 18, 2017 at 13:14 0 Comments

PREMIERE Playing with Virtual Realities  
25. bis 28.01.2018 A research project of the Cluster of Excellence Image Knowledge Gestaltung, Humboldt-University of Berlin   …
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From Heidegger to Performance

Event Details

From Heidegger to Performance

Time: September 18, 2018 all day
Location: De Montfort University
City/Town: Leicester
Website or Map: http://www.dmu.ac.uk/about-dm…
Event Type: symposium
Organized By: Louise Douse, Marie Hay, Martin Leach
Latest Activity: Jul 27

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Event Description

From Heidegger to Performance

Keynote speaker:
Dr Stuart Grant: ‘Fundamental Occurrence’*
Centre for Theatre and Performance at Monash University, Melbourne, Australia

Ideas of performance and performativity have today spread beyond the bounds of their association with theatrical or aesthetic events. Use of the terms now ranges across fields from anthropology, sociology, psychology, gender studies, computer studies, linguistics and neoliberal economics, where the idea informs an apparatus of managerial control. Underlying this proliferation of applications, performance takes on a philosophical sense as a fundamental means of understanding the performative nature of human being.

Martin Heidegger’s Being and Time begins with the following passage from Plato’s Sophist concerning the question of the meaning of the term ‘being’: ‘For manifestly you have long been aware of what you mean when you use the expression “being”. We, however, who used to think we understood it, have now become perplexed’ (Plato, Sophist 244a, in: Heidegger [1927] 2010: xxix). Heidegger’s solution to this perplexity
was to enact something that we might now interpret as a performative approach to being. Following Heidegger, we might now be tempted to replace the word being with performance. First, the term performance has become so widely used, in so many loose ways, that it is becoming transparent or saturated; its meaning so taken-for-granted that it almost disappears. Second, and more pertinent to this symposium, is a renewed consideration of what might be termed the performative (or at least proto-performative solution which Heidegger develops) in response to the lost meaning of being.

This symposium seeks to explore confluences, direct or indirect, conscious or unconscious, a priori or a posteriori, between Heidegger’s work and ideas of performance and performativity across their various senses. It invites a catholic view of performance from live and mediated aesthetic performance, to the performativity of writing (nonfictional, fictional and poetic), everyday performance, performativity of language, artworks, events and situations.

Martin Heidegger (2010) Being and Time (trans. by Joan Stambaugh, revised and with a forward by Dennis
J. Schmidt), Albany: State University of New York Press.

*Dr Stuart Grant is a senior lecturer in Performance Studies at Monash University. He has published extensively on performance phenomenology, with an emphasis on Heidegger and performance, and on site-specific performance research. He is currently preparing the manuscript: Heidegger and the Origin of the Performative. Recent publications include:

‘The unnamed origin of the performative in Heidegger’s interpretation of Aristotelian Phronēsis’, and ‘The Essential Question: So what’s phenomenological about Performance Phenomenology?’ in: Performance Phenomenology: The Thing Itself. Palgrave MacMillan, 2018 (forthcoming);

‘Heidegger’s Augenblick as the moment of performance’, in: Performance and Temporalisation: Time Happens. London: Palgrave Macmillan, 2015;

‘Bodyweather as hermeneutic eidetics’, About Performance 14/15, 2017;

‘Performing from Heidegger’s Turning’, Performing Ethos 5(1-2), 2015: 37-51.

More details on how to register to follow.

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