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CFP: Brazilian Journal on Presence Studies: "Decolonial Poetics and Pedagogies"

Started by Luciana da Costa Dias Oct 16, 2017. 0 Replies

BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue

Tags: CFP

Knowing by singing: song, acoustic ecologies and the overflow of meaning - CfP RAI 1-3 June 2018

Started by Valeria Lembo Aug 30, 2017. 0 Replies

We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue

Tags: Voice, Sound, Embodiment, Ecology, Epistemology

Listening After Oliveros

Started by Ed McKeon Aug 17, 2017. 0 Replies

The School of Fine Art, History of Art & Cultural Studies and School of Music at the University of Leeds are very excited to announce Listening after Pauline Oliveros: A Meditation.Thursday 12…Continue

What does the structureless of shock look like?

Started by Jim Daly. Last reply by Bernard Roddy Feb 22, 2017. 1 Reply

You can't impose structure on shock, can you? Continue

Blog Posts

The School of Making Thinking's Summer 2018 Residency Programs

Posted by Aaron Finbloom on January 9, 2018 at 15:01 0 Comments

Hi everyone!

I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )



see below!

best,

Aaron



~



The School of Making Thinking hosts Summer Intensives for…

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Playing with Virtual Realities - Performances and Symposium

Posted by Einav Katan-Schmid on November 18, 2017 at 13:14 0 Comments

PREMIERE Playing with Virtual Realities  
25. bis 28.01.2018 A research project of the Cluster of Excellence Image Knowledge Gestaltung, Humboldt-University of Berlin   …
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looking or people/events/conferences etc

Posted by Veronica Marina Fazzio Welf on November 11, 2017 at 16:52 0 Comments

I am working on my Phd Thesis and looking for people that works with concepts of post humanism, post anthropocene & social sculpture, I am from Buenos Aires, based in Miami Beach, doing my phD in Plymouth University, UK...not sure if I should start a new group...any suggestions?

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Stages of Utopia and Dissent - 50 Years On

Event Details

Stages of Utopia and Dissent - 50 Years On

Time: May 19, 2018 all day
Location: Loughborough University London
Street: Queen Elizabeth Park, site of the 2012 Olympics
City/Town: Stratford, East London
Website or Map: http://www.lboro.ac.uk/aed/st…
Phone: +44 (0)1509 223071
Event Type: conference
Organized By: Fred Dalmasso
Latest Activity: Feb 12

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Event Description

Final_abstract-may-symposium.pdf15th May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. 15th June 1968: the Odeon theatre is cleared by the CRS forces, nothing remains but one banderole “solidarité avec les tra­vailleurs en lutte” symbolising the general strike voted in May by theatre practitioners in solidarity with the workers’ struggle. While the May revolt did not radically change workers’ conditions, it perennially inscribed some of the boldness and inventiveness of the 1960s in performing arts upon the French stage: a theatre of bodies rebelling against the established order and inviting the audience to be involved as creative participants and not as mere consumers anymore. The same spirit led to the creation, a year later, of the Centre universitaire expérimental de Vincennes, where students could create their own individualised cross-disciplinary curriculum and were taught by thinkers such as Gilles Deleuze, Jean-François Lyotard, Michel Foucault, Alain Badiou or Hélène Cixous. There were other students protesting against wars or fundamental liberties in other parts of the world at the time, but youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression.

The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. It certainly galvanised the growth of a theatrical counter-culture which encompassed agit-prop and T-i-E, community theatre and performance art, childrens’ theatre and the avant-garde. For some, like Catherine Itzin May 1968 was the high point of “a historic year which … clearly marked the end of an era in a historically unprecedented fashion and the beginning of a period of equally unprecedented political consciousness and activism.” Howard Brenton saw it rather differently and much less positively: “May 1968 was crucial…” he said. “[It] disinherited my generation in two ways. First it destroyed any remaining affection for official culture… But it also, secondly, destroyed the notions of personal freedom, anarchist political action. And it failed. It was defeated. A generation dreaming of a beautiful utopia was kicked – kicked awake and not dead. I’ve got to believe not kicked dead. May 68 gave me a desperation I still have.”

50 years on… where are we? What remains of the dream of a possible union of students and workers in protest? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?


We invite theatre and performance scholars/artists and other scholars/practitioners with an interest in theatre, performance and politics to contribute in the form of ten-minute provocations, twenty-minute papers or twenty-minute scratch performances.

Please email all abstracts (no more than 300 words in length), an additional few sentences of biographical information and precise details of the audio-visual technology you will need to make your presentation to Dr Fred Dalmasso – f.t.j.dalmasso@lboro.ac.uk and Prof. Mick Mangan - M.Mangan@lboro.ac.uk The deadline for the submission of proposals is Wednesday 28 February 2018.

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