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Started by Luciana da Costa Dias on Wednesday. 0 Replies


Available Online IMAGINED THEATRES issue #03

Started by Daniel Sack Aug 13. 0 Replies

We are pleased to announce the launch of issue #03 of …Continue

Tags: imagined, writing, theatres, open, access

Workshop CFP: The Mimetic Condition: A Transdisciplinary Approach

Started by Daniel Villegas Vélez Jun 3. 0 Replies

Workshop CFP: The Mimetic Condition: A Transdisciplinary ApproachInstitute of Philosophy, KU Leuven (Belgium)December 5-6, 2019Keynote: Prof. Gunter Gebauer (Free University of Berlin)Since the…Continue

Tags: workshop, transdisciplinarity, mimesis

Announcing the Performance Philosophy Crowdfunding Campaign!

Started by Naomi Woo Apr 7. 0 Replies

Performance Philosophy is launching our first…Continue

Blog Posts

Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…


The School of Making Thinking's Summer 2018 Residency Programs

Posted by Aaron Finbloom on January 9, 2018 at 15:01 0 Comments

Hi everyone!

I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )

see below!




The School of Making Thinking hosts Summer Intensives for…


Playing with Virtual Realities - Performances and Symposium

Posted by Einav Katan-Schmid on November 18, 2017 at 13:14 0 Comments

PREMIERE Playing with Virtual Realities  
25. bis 28.01.2018 A research project of the Cluster of Excellence Image Knowledge Gestaltung, Humboldt-University of Berlin   …

The Anomaly in Art and Modes of Existence

Event Details

The Anomaly in Art and Modes of Existence

Time: March 16, 2015 from 7pm to 8:30pm
Location: Anatomy Museum, King’s Building 6th floor, King’s College London, Strand, WC2R 2LS
Event Type: seminar
Organized By: Theron Schmidt
Latest Activity: Mar 5, 2015

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Event Description

The Performance Research Group at King’s College London presents The Anomalous, Meeting, a seminar series bridging the Arts and Humanities and the Social Sciences. Curated by Penny Newell, the series brings together scholars from various disciplines hoping to begin conversations around and about anomalies, in theory and in practice.

For info on the full series, see:

Monday 16th March (7-8.30pm): The Anomaly in Art and Modes of Existence: Penny Newell (KCL) and Philip Conway (Bristol)

This session interrogates the anomalies at stake in contemporary art and philosophy. Penny Newell will ask how art produces meaning through that which exceeds beyond the operational terms of an artistic mode of production. Philip Conway will critically reflect on his role as a co-inquirer on the politics [POL] research team of Bruno Latour’s An Inquiry Into Modes of Existence (AIME), thinking about the ontology of problems, and theorising anomalousness in terms of the concept of diplomacy, modes of existence, radical empiricism and cosmopolitics.

Penny Newell is a poet and PhD researcher based in the Department of English at King’s College London, and convenor of The Anomalous, Meeting seminar series. Her work positions clouds as anomalous events in the relation between thinking and being, examining historical and contemporary materials in literature, science, theatre and performance, and in visual, digital and installation arts. She has published in Platform: Postgraduate Journal of Theatre Arts (Royal Holloway), Boundaries (Sussex University), and Performance Research (Routledge, Taylor and Francis).

Philip Conway is an independent writer and blogger, a contributor and co-inquirer on Bruno Latour’s ongoing experiment in Digital Humanities (AIME), and Research Assistant in the School of Social and Community Medicine at the University of Bristol. Conway rigourously critiques actor-network theory, Science and Technology Studies and the philosophies of Bruno Latour, Isabelle Stengers, William James, Alfred North Whitehead and Peter Sloterdijk. In bringing these ideas and theorists into the discourses of international relations and geopolitics, Conway forces us to question: 'What is the geo in geopolitics? And what, for that matter, is the politics?’

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