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Performance Philosophy
Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
ContinueCALL FOR PROPOSALS: THE USES OF UTOPIA
____________________________________________
26 June 2016, Clare College, University of Cambridge
A SYMPOSIUM AND CELEBRATION
ON THE 500TH ANNIVERSARY OF THOMAS MORE’S UTOPIA
with support from the Cambridge School of Arts and Humanities Graduate-Led Conference Scheme
In Fredric Jameson's Archaeologies of the Future, he writes: “can we invent a way of reading Thomas More's Utopia (1516) so as to recover something of the shock and freshness of its elegant new Latin for the first European readers?” This symposium is both interdisciplinary investigation provoked by this question, and a celebratory reading for the 500th anniversary of More’s text.
The symposium welcomes researchers from diverse disciplines to read utopia today from their own fields, which may include but not be limited to:
politics / theology / visual arts / early modern studies / literature / divinity / architecture / geography/ philosophy / sociology / theatre / music
We invite abstracts for 15-minute papers, which may be inspired by Jameson’s provocation, or on topics related (or orthogonal) to :
More and his audiences
Humour, satire, and shock in political critique
The “indirect approach” to politics: form and function
Utopias before and after More
Utopia and theology
Catholic and religious utopias today
Neologisms and the imagination: inventing words for good
Utopian ideas and education
Translating utopia / utopian translation
Utopia and art
Presenters from outside the traditional confines of the academy are encouraged, and we also welcome contributions from artists and creative professionals. Alternative presentations might include:
Provocations on the topics listed above (maximum 15 minutes)
Visual artworks to be exhibited on the day of the conference
Performances (maximum 15 minutes)
Please send a 250-word proposal to Naomi Woo and Sasha Amaya at utopiaconferencecambridge@gmail.com by FRIDAY 15 APRIL Any further inquiries in advance of this date may be directed to Naomi Woo at nw334@cam.ac.uk.
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