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  • For general enquiries about Performance Philosophy, please contact Laura Cull: l.cull@surrey.ac.uk

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Material related to Tempting Failure, or “Learniing From Mistakes”

Started by john forester 19 hours ago. 0 Replies

A symposium on learning from mistakes in settings of city planning, drawing in part on Frank Barrett’s work on jazz in his striking Yes to the Mess:    See …Continue

Tags: aesthetics, of, cooperation, mis-takes, improvisation

CFP: Brazilian Journal on Presence Studies: "Decolonial Poetics and Pedagogies"

Started by Luciana da Costa Dias Oct 16, 2017. 0 Replies

BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue

Tags: CFP

Knowing by singing: song, acoustic ecologies and the overflow of meaning - CfP RAI 1-3 June 2018

Started by Valeria Lembo Aug 30, 2017. 0 Replies

We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue

Tags: Voice, Sound, Embodiment, Ecology, Epistemology

Listening After Oliveros

Started by Ed McKeon Aug 17, 2017. 0 Replies

The School of Fine Art, History of Art & Cultural Studies and School of Music at the University of Leeds are very excited to announce Listening after Pauline Oliveros: A Meditation.Thursday 12…Continue

Blog Posts

Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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The School of Making Thinking's Summer 2018 Residency Programs

Posted by Aaron Finbloom on January 9, 2018 at 15:01 0 Comments

Hi everyone!

I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )



see below!

best,

Aaron



~



The School of Making Thinking hosts Summer Intensives for…

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Playing with Virtual Realities - Performances and Symposium

Posted by Einav Katan-Schmid on November 18, 2017 at 13:14 0 Comments

PREMIERE Playing with Virtual Realities  
25. bis 28.01.2018 A research project of the Cluster of Excellence Image Knowledge Gestaltung, Humboldt-University of Berlin   …
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Knowing by singing: song, acoustic ecologies and the overflow of meaning - CfP RAI 1-3 June 2018

We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in London in June 2018. Please submit your abstracts online by clicking on 'propose a paper' on the panel's webpage

 *1-3 June 2018, Clore Centre, The British Museum*

 Call for papers closes on the 8th January 2018.

 For more information for the link below

http://nomadit.co.uk/rai/events/rai2018/conferencesuite.php/panels/Views/plenaries

Please, circulate this call for papers to any theatre or research email groups you might be on.

Short abstract

Can song be a way of knowing for anthropologists, rather than an ethnographic object? Can it be a practice of inquiry distinct from logocentric analysis? We invite experimental presentations that use singing to investigate topics ranging from memory and placemaking to forms of collaboration.

Long abstract

The performative mode of singing puts into relief two issues that are of persisting importance to anthropology: (1) language and meaning and (2) ecology and materiality. Song can incorporate language and meaning explicitly, and yet because of its musicality is always acknowledged as exceeding its semantic value. Singing emerges from an entire acoustic ecology, ecologies of practice, material and storied histories, and from the voices of particular singers. While song has been analysed anthropologically in terms of the senses, healing, colonialism and memory, the craft of song as a way of knowing offers a fruitful but as yet unexplored approach to these topics. Rather than considering song solely as an object of ethnographic study, we propose to take seriously ways of knowing inherent in different practices of singing. We ask: how can anthropologists explore song as an epistemic practice both in its own terms, and in dialogue with conventional academic ways of knowing?

We invite experimental presentations, in which presenters feel free to sing as well as talk, that explore the following topics.

What is a song?

Song in relation to memory, ritual, the living body and healing.

Singing in ecological perspective: singing, acoustics, materials and senses of place

Relations between movement, gesture and singing

Education of attention: pedagogies of singing and singing as pedagogy

Voice, sound, silence, noise

Voice as expression: affects, aesthetics, subjectivity and politics

Singing as collaboration: polyphony, choir, listening and attunement

Language and song

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