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Performance Philosophy
Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
ContinueAs a consequence of the rigours (in the worst possible sense of the word) of the ever more quantifying audits of the institutional quest to measure the worth of research outputs, members of our department (which includes site-specific performers, applied theatre makers, actors, scholars of indigenous performance, anthropologists of performance, Asian performance scholars, a classicist, a storyteller, theatre historians, scholars of musical theatre, a sound artist, and myself - most of whose published output concerns phenomenology of performance) have been asked to nominate 10 journals which represent the "most reputable and credible" journals in the field.
Apart from the obvious absurdity of the request, the impossibility of capturing the broad interdisciplinary spread of our work, and the welcome proliferation of necessarily highly specialised journals which reflect the rapidly changing and developing nature of our field, does anybody have any suggestions as to how I might reply to this request (in a way which won't offend the delicate souls in the faculty research office). We are of course making representation to the various deans and pro vice deans to have the project reflect reality, but in the meantime the faculty is determined to put this through.
I have been publishing in a mix of philosophy journals and specialist performance journals as relevant special issues arise, but I would like to put forward two or three leading journals which are sympathetic to work which may have more to do with philosophical aspects of performance and applications of philosophy to the understanding of everyday performative phenomena rather than writing about theatre and other aesthetic performances. Where have members of this group been publishing their more purely philosophical work?
This is such a silly business, but as it is currently framed it will affect such things as funding, promotion, advancement etc.
Any ideas or suggestions would be most gratefully received.
Cheers
Stuart
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I wonder whether Angelaki might be a good candidate Stuart?
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