Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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Blog Posts

Aesthetics of Contemplation: Poetry Leaves

Posted by Jack Beglin on October 3, 2017 at 14:06 0 Comments

He met her in the foyer of a theatre, novel in her hand, clip board in his hand,

Market research on the tip of his tongue,…

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Playing with Virtual Realities - Introduction

Posted by Einav Katan-Schmid on September 25, 2017 at 17:00 0 Comments

 

The project Playing with Virtual Realities takes place in the research group gamelab.berlin, at the Excellence Cluster an Interdisciplinary Laboratory, Humboldt University of Berlin.

The project explores how VR-technology and the embodied practices of gaming and dancing enact and design imagination and perceptual experience. The project is a collaboration of gaming, dancing, VR design, philosophy of technology, embodied…

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Dance movement therapy contextualised within a Shambhala Buddhist Vision of Enlightened Society.

Posted by Jack Beglin on September 23, 2017 at 17:30 0 Comments

Context :

This essay was written during my visiting scholarship to Naropa University, Boulder, Colorado U.S.A, August - December 2016. Naropa is a Buddhist inspired University founded in 1974 by…

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International University “Global Theatre Experience” The Ostrenko Brothers and Embodied Statues of the Psyche

Posted by Jack Beglin on September 15, 2017 at 17:30 0 Comments

ArtUniverse is an international arts agency created in 2006 in Great Britain with the mission;

‘ To develop transnational cultural collaboration and exchange between arts and culture workers, to strengthen international cultural links through artistic expression and to…

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State of Encounter as performance (estado de encuentro)

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State of Encounter as performance (estado de encuentro)

We are performance artists and from other disciplines, which through a practice of composition, experimentation, and improvisation in real time, we seek to bring the viewer into a non orthodox sense of
"seeing".

Our work in improvisation and composition is presented as an event, an atmosphere, an "Encounter", in which certain performance tools (movement, silence, sound, words, light and projection), do not follow a temporal development of an action or narration with his introduction, knot and outcome, but instead they invite the audience to experience another kind of contemplation and perception of the
performance.

We think on performance as a communal political act that aims to encourage a relationship with the motor that organizes the material of perception and  consciousness, based on alternate designs instead of the ordinary and preset communication done by the mainstream.

Improvisation is manifested as an encounter between  artists and offers us means, ways of a singular, playful and experimental artistic life (thought as experience).

Keyword: "Experimentation."-Essential condition to achieve other contemporary possibilities, revealing the body as organism, history, and subject of enunciation at the same time that reveals hegemonic subjugation modes  that steal our body to manufacture opposition susceptible organisms (man-woman, boy -girl, human-animal, economist- dancer, choreographer-theoretical, healthy -sick, etc...) .. Experimentation is a constant  and never-ending process. (Gilles Deleuze)

Website: http://estadodeencuentro.com/
Location: Lima,Peru
Members: 2
Latest Activity: May 9, 2016

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