Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…


Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…




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Judith Butler and Dramaturgy


Judith Butler and Dramaturgy

see blog on my page

Location: Melbourne, Australia
Members: 26
Latest Activity: Mar 30, 2020

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Comment by Robert Perinbanayagam on August 15, 2016 at 16:55

Are there any publications pertaining to "Judith Butler and Dramaturgy" that I can access?

Comment by Jena A Zelezny on October 15, 2014 at 22:10

Thanks Anna, I'll be reading this interview with great interest!  I have a copy of the book and have not, as yet, completed a close reading.

Comment by Jena A Zelezny on October 15, 2014 at 22:07

With regard to parameters, I appreciate the relation between philosophy and performance and I wonder about the efficacy of performance as philosophy. My interest is in that which Butler has described as the chiasmic dimensions of the relation.

Comment by Anna Street on October 15, 2014 at 21:05

Check out this latest interview with Butler pertaining to her book Dispossession: The Performative in the Political


Comment by Freddie Rokem on October 9, 2014 at 20:52

Looking forward to contribute to thinking about dramaturgy in the context of Butler's work. Would be interesting to hear what the initial parameters are



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