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Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
ContinueTHOU TWIN OF SLUMBER: In Situ
"Twin of Slumber: In Situ" is the seventh of the eight chapters of VestAndPage 2013 performance cycle.
In Situ has been produced and presented by Museo Universitario El Chopo - Teatro Foro del Dinosaurio (Mexico City).
J. S. Bach’s cantata Ich will den Kreuzstab gerne tragen (BWV 56, 1726) closes with the simple choral "Komm o Tod du Schlafes’ Bruder / Come o death thou twin of slumber," invoking Thanatos/Death, the twin brother of Hypnos/Sleep, to "loose my ship from ropes that lumber / bring me safely into port." This performance cycle investigates death, sleep and slumber and liminal spaces, looking to wave mythical reflections on death and rebirth into the narrative of urban regeneration.
The moth is the animal totem of this performance cycle, and the single episodes are named after stages of its life cycle. Being an actual part of some of the performances of this cycle, the moth, a master of disguise, is a powerful symbol of otherwordliness, secret knowledge, faith, intuition and determination.
The performance cycle in eight parts has been developed and presented on the 2013-tour with stations in Boston (Caterpillar), Nicosia (Cocoon I, II and III), New York (Chrysalis), Istanbul (Pupae), Chicago (Histo), Vancouver (Hemolymph), Mexico City (In Situ), and closed in a 7-hour long durational performance in Helsinki (Imago).
http://www.vest-and-page.de/#!thou-twin-of-slumber/c1dze
Photo by Jessica Salazar
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