Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Anyone can be a member of Performance Philosophy and it is free to join. Just click on the link that says 'Sign Up' in the box above.
All members are free to propose new groups within Performance Philosophy. These can be either geographic or thematic groups. Please see the 'About' page for more information. Or go to 'Groups' to propose a new group.
If you have any problems using this website, please contact:
For general enquiries about Performance Philosophy, please contact Laura Cull: firstname.lastname@example.org
The Brazilian Journal on Presence Studies [Revista Brasileira de Estudos daPresença], an open access, peer-reviewed, online journal that does notcharge any submission or publication fees, invites…Continue
BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue
Hi everyone! I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )
see below! best, Aaron
The School of Making Thinking hosts Summer Intensives for…
Diana Damian is a London-based performance and live art critic and curator. Her PhD research, funded by the Royal Holloway/Bedford Excellence Scholarship, examines taxonomies of critical practice, locating the political within the critical process and deconstructing the critical encounter via a recourse to contemporary continental philosophy, literary and performance theory. Diana is Performance Editor at Exeunt and founder of Post: Critical Practice, a platform dedicated to exploring the meeting point between performance, curation, criticism and the digital sphere. She is a regular contributor to publications in Europe and the UK, and is part of an EU funded collective of writers exploring the forms criticism can take in contemporary performance and visual art practice in a series of performative interventions and artist collaborations. She has curated exhibitions in the UK, Germany, the US and Romania, and is currently developing a series of nomadic process-based residencies for live art critics and writers, the first of which recently took place at Trouble Festival in Bruxelles. Her research looks at the ways in which performance and live art practices are shaping public space, and the role of participation in art politics, as well as documentation as performative curatorial strategy.
You need to be a member of Performance Philosophy to add comments!