Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
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Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
Diana Damian is a London-based performance and live art critic and curator. Her PhD research, funded by the Royal Holloway/Bedford Excellence Scholarship, examines taxonomies of critical practice, locating the political within the critical process and deconstructing the critical encounter via a recourse to contemporary continental philosophy, literary and performance theory. Diana is Performance Editor at Exeunt and founder of Post: Critical Practice, a platform dedicated to exploring the meeting point between performance, curation, criticism and the digital sphere. She is a regular contributor to publications in Europe and the UK, and is part of an EU funded collective of writers exploring the forms criticism can take in contemporary performance and visual art practice in a series of performative interventions and artist collaborations. She has curated exhibitions in the UK, Germany, the US and Romania, and is currently developing a series of nomadic process-based residencies for live art critics and writers, the first of which recently took place at Trouble Festival in Bruxelles. Her research looks at the ways in which performance and live art practices are shaping public space, and the role of participation in art politics, as well as documentation as performative curatorial strategy.
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