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BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue
We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue
The School of Fine Art, History of Art & Cultural Studies and School of Music at the University of Leeds are very excited to announce Listening after Pauline Oliveros: A Meditation.Thursday 12…Continue
Hi everyone! I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )
see below! best, Aaron
The School of Making Thinking hosts Summer Intensives for…
Diana Damian is a London-based performance and live art critic and curator. Her PhD research, funded by the Royal Holloway/Bedford Excellence Scholarship, examines taxonomies of critical practice, locating the political within the critical process and deconstructing the critical encounter via a recourse to contemporary continental philosophy, literary and performance theory. Diana is Performance Editor at Exeunt and founder of Post: Critical Practice, a platform dedicated to exploring the meeting point between performance, curation, criticism and the digital sphere. She is a regular contributor to publications in Europe and the UK, and is part of an EU funded collective of writers exploring the forms criticism can take in contemporary performance and visual art practice in a series of performative interventions and artist collaborations. She has curated exhibitions in the UK, Germany, the US and Romania, and is currently developing a series of nomadic process-based residencies for live art critics and writers, the first of which recently took place at Trouble Festival in Bruxelles. Her research looks at the ways in which performance and live art practices are shaping public space, and the role of participation in art politics, as well as documentation as performative curatorial strategy.
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