Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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Performing Viral Pandemics?

Started by aha. Last reply by aha May 11, 2020. 2 Replies

Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue

We all have the same dream?

Started by Egemen Kalyon Apr 2, 2020. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15, 2020. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…


Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…




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Kai Roland Green
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Research Interests
My primary focuses are the Philosophy of Gender, Ethics in Continental Philosophy (particularly Levinas and Heidegger), and the insights of Sensory Studies into these areas. With a background in Theatre Studies, my methodology builds upon the insights of dramaturgy on the Phenomenologists' mission. As a male researcher in the Feminist Phenomenologist's, my central questions concern the attritions and possibilities of an ethical male-involvement in feminism through philosophy and performance.

My undergraduate degree at Royal Holloway, University of London, was supplemented with an additional year spent at Concordia University in Montreal, Canada. In both these institutions, the direction of my studies concerned the linkages between Theatre and Philosophy. Gender Studies - particularly feminist phenomenology, and men's (ethically conflicted) relationship to it - became my primary focus.

As a Dramaturg, I have worked in text-based theatre and dance with artists in the North East and London. My work has largely involved encouraging artists to reflect on the social and political dimensions to their work, as well as framing performance in terms of its sensory hierarchies. In collaboration with White Ribbon UK, I created the White Ribbon Cultural Campaign in 2015, encouraging theatres, galleries, film companies and arts organisations to evaluate their commitment to gender diversity across their output and structure.

I currently study on the MSc. Social Entrepreneurship programme at Roskilde University, Denmark.

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