Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Anyone can be a member of Performance Philosophy and it is free to join. Just click on the link that says 'Sign Up' in the box above.
All members are free to propose new groups within Performance Philosophy. These can be either geographic or thematic groups. Please see the 'About' page for more information. Or go to 'Groups' to propose a new group.
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For general enquiries about Performance Philosophy, please contact Laura Cull: email@example.com
We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue
The School of Fine Art, History of Art & Cultural Studies and School of Music at the University of Leeds are very excited to announce Listening after Pauline Oliveros: A Meditation.Thursday 12…Continue
Claire Bishop's book, Artificial Hells, provides a useful resource to engage with a set of works in performance of relevance to studio practice today. I am uploading my notes on the the first pages…Continue
Liverpool Hope University is now accepting applications for its new postgraduate programme in performance. I would appreciate if you could pass this information to any graduates who might be interested.
This MA programme offers an interdisciplinary and multicultural perspective on contemporary performance practice and research. It is primarily addressed to practitioners, curators and researches interested in performance as an expanded field of cultural and critical…
Performance Philosophy School of Athens II, is a two-day symposium, organised by Stefania Mylona and Stella Dimitrakopoulou, in association with the Performance Philosophy network. This year will focus on Performance Dance, performances of all kinds that stand in-between dance and performance art or more broadly the visual arts world. The symposium…
January 23, 2015 at 7:30pm to January 24, 2015 at 7:30pm
Featuring New York City-based Wet Ink Ensemble; composer-performer Adam de la Cour’s L’Exorcisme du Mômô, closely based on Antonin Artaud’s To Have Done with the Judgment of God, with pianist Mark Knoop and screaming clarinettist Carl Rosman; a staged reading of Artaud’s 1925 surrealist farce The Spurt of Blood; a new work based on Georges Bataille’s “Propositions” by electronics improv band Schopenhauer; a talk on Bataille by Prof. Patrick ffrench (King’s College London); and a series of new…See More
This group seeks to focus and foster conversations by and about the relation between anthropology and performance. This can be in the form of anthropology as performance, performance as anthropology, or anthropology of performances or the performative. It could also be used to exchange literature, information about upcoming events, and general discussion. See More
This group is interested in the multiple relationships between music, performance, and philosophy. No particular methodology or intellectual tradition is emphasised: the purpose of the group is to further the understanding of philosophy in, and as music performance, and of music performance as philosophy.See More