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BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue
We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue
The School of Fine Art, History of Art & Cultural Studies and School of Music at the University of Leeds are very excited to announce Listening after Pauline Oliveros: A Meditation.Thursday 12…Continue
Hi everyone! I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )
see below! best, Aaron
The School of Making Thinking hosts Summer Intensives for…
Watson’s background is in Sculpture & Theatre, with specific puppet focused training at I’Institut International de la Marionnette Charleville-Mezieres, with Philippe Genty 1985. Here she also worked with Tadeusz Kantor on his piece ‘A Short Lesson’ 1989. Watson was co artistic director of doo-cot (with painter Rachael Field) 1990 -2007. Barking Dog, was established in 2008 to promote her collaborative projects. During 2008/9 she undertook a Puppet Centre Trust bursary focused on Punch & Judy. Her Creative Research Fellowship hosted by CSSD, funded by AHRC began in May 09 and is part time for five years.
The life and death of objects and puppets: immanence, intervention, presence and absence. Over the next five years (part time) as a Creative Research Fellow, Watson will focus on the threshold where the lifeless becomes animate; memory within animation; tradition within ideas of the ‘living’ and the ‘past’; the intimacy in engagement with puppets and explore archiving in relation to the ‘life’ of the object.
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