Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Anyone can be a member of Performance Philosophy and it is free to join. Just click on the link that says 'Sign Up' in the box above.
All members are free to propose new groups within Performance Philosophy. These can be either geographic or thematic groups. Please see the 'About' page for more information. Or go to 'Groups' to propose a new group.
If you have any problems using this website, please contact:
For general enquiries about Performance Philosophy, please contact Laura Cull: email@example.com
Good evening, I'm Felipe, Brazilian PhD in performing arts at UFBA. I and Théophile Choquet are organizing a book on the Antonin Artaud's influence and propositions around the world. We are accepting…Continue
BRAZILIAN JOURNAL ON PRESENCE STUDIESRevista Brasileira de Estudos da Presença DECOLONIAL POETICS AND PEDAGOGIES CALL FOR PAPERS The Brazilian Journal on Presence Studies [Revista Brasileira de…Continue
We invite 250-word abstracts for an anthropology and interdisciplinary conference on the theme of 'Art, materiality and representation'. The event will be held at the Clore Centre, British Museum in…Continue
Hi everyone! I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )
see below! best, Aaron
The School of Making Thinking hosts Summer Intensives for…
Watson’s background is in Sculpture & Theatre, with specific puppet focused training at I’Institut International de la Marionnette Charleville-Mezieres, with Philippe Genty 1985. Here she also worked with Tadeusz Kantor on his piece ‘A Short Lesson’ 1989. Watson was co artistic director of doo-cot (with painter Rachael Field) 1990 -2007. Barking Dog, was established in 2008 to promote her collaborative projects. During 2008/9 she undertook a Puppet Centre Trust bursary focused on Punch & Judy. Her Creative Research Fellowship hosted by CSSD, funded by AHRC began in May 09 and is part time for five years.
The life and death of objects and puppets: immanence, intervention, presence and absence. Over the next five years (part time) as a Creative Research Fellow, Watson will focus on the threshold where the lifeless becomes animate; memory within animation; tradition within ideas of the ‘living’ and the ‘past’; the intimacy in engagement with puppets and explore archiving in relation to the ‘life’ of the object.
You need to be a member of Performance Philosophy to add comments!