A research network for the field of Performance Philosophy
Welcome to
Performance Philosophy
Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
- Anyone can be a member of Performance Philosophy and it is free to join. Just click on the link that says 'Sign Up' in the box above.
- All members are free to propose new groups within Performance Philosophy. These can be either geographic or thematic groups. Please see the 'About' page for more information. Or go to 'Groups' to propose a new group.
- If you have any problems using this website, please contact:
- For general enquiries about Performance Philosophy, please contact Laura Cull: l.cull@surrey.ac.uk
Members
Groups
Forum
Performing Viral Pandemics?
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
We all have the same dream?
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Circus and Its Others 2020, UC Davis CFP
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Call for Paper Submissions: Line.Bridge.Body
Blog Posts
HOW NOT TO MISS THE 'MISSING' IN THE UNIVERSE AROUND US
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
"Further Evidence on the Meaning of Musical Performance" Working Paper
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
Aproximaciones teóricas a la danza
Posted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Division of Labor - Denis Beaubois
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
ContinueEvents
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Nesreen Hussein
- Canterbury
- United Kingdom
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Nesreen Hussein's Page
Profile Information
- Institution (if affiliated)
- University of Kent
- Research Interests
- My research interests currently focus on two key areas. The first is around issues of materiality, analyzing and investigating the different implications of the interchange between the human subject and the physical object in various contexts of art and performance practice. Within that, the research examines the role of objects and materials in performance practice and its reception, considering notions of ‘performativity’ and ‘agency’ raised by the spatio-temporal encounter between subject and object. I also link my investigation in this field to wider ideas in cultural, social and political studies.
The second key area of research focuses on the ongoing revolutions and uprisings in the 'Middle East' region and their wider cultural and social implications. I specifically look at protest and activism as creative acts and the role of the diverse dynamics of creative and urban practices in sustaining narratives of democracy, redefining notions of citizenship, identity and belonging. I am currently working on a research project entitled ‘Cultural Practices / Resistant Acts: Cultural Production and Emerging Democracies in Revolutionary Egypt,’ which addresses a multiplicity of questions within this research area, building on the inherent relationship between political discourse and artistic disciplines.
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