Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

  • Anyone can be a member of Performance Philosophy and it is free to join. Just click on the link that says 'Sign Up' in the box above. 
  • All members are free to propose new groups within Performance Philosophy. These can be either geographic or thematic groups. Please see the 'About' page for more information. Or go to 'Groups' to propose a new group.
  • If you have any problems using this website, please contact: 
  • For general enquiries about Performance Philosophy, please contact Laura Cull:


Performing Viral Pandemics?

Started by aha. Last reply by aha May 11, 2020. 2 Replies

Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue

We all have the same dream?

Started by Egemen Kalyon Apr 2, 2020. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15, 2020. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…


Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…




  • Add Videos
  • View All

Playing with Virtual Realities - Introduction


The project Playing with Virtual Realities takes place in the research group, at the Excellence Cluster an Interdisciplinary Laboratory, Humboldt University of Berlin.
The project explores how VR-technology and the embodied practices of gaming and dancing enact and design imagination and perceptual experience. The project is a collaboration of gaming, dancing, VR design, philosophy of technology, embodied philosophies of perception, and performance philosophy.

Playing with Virtual Realities questions and experiments the embodied practices of dancing and gaming. We inquire how physical techniques and technology of the game provoke and solve challenges for perception. We aim to reflect the intersection of technology and technique within processes of design.

Both VR design and dance techniques deal with the challenge of how to facilitate an immersive experience that imitates the fluidity of everyday life behavior, while both dancing and gaming are embodied practices that transgress everyday patterns of movement and perception.

Dancing is a design of space, rather than merely acting within an already given realm. Thus, dancers “methodically” ignore the real space and relate their decisions of movements according to imaginary rules of game. At the same time, dancers lead their movements according to what the actual space and their physical capacities enable. Integrating the actual and the virtual, dancers constantly further shape and extend their actual movement capacities. For those reasons, we see in the aesthetic labor of dancing a source for researching creative patterns of perception. Thus, the trained dancers hold an archive of knowledgeable techniques for movement, imagination, perceptual problem solving, and creativity.

In addition, the most recent developments of VR design enable for the actors within the virtual reality to see and act within an imaginary world that visually comes into life. Nevertheless, the rest of the physical senses, especially the sense of equilibrium, proprioception, and the sense of touch act according to the actual space, which is beyond the virtual vision. For those reasons, we see in VR technology an interesting case of extended cognition (see Andy Clark and David Chalmers, 1998) that affects not just the visions and the patterns of movements of its actors, but also their perceptual schemata and their embodied techniques.

In Playing with Virtual Realities we research the relationship between vision and movement, as well as the cognitive, physical, and perceptual challenges appear when vision and movement are dissociated. We deal with the role of imagination in designing new ways of knowing and with how imagination and a virtual realm enact actual perception within creative experience. 


Partners, An Interdisciplinary Laboratory Image Knowledge Gestaltung
DOCK11 Berlin
Performance Philosophy
Institut für Games, Hochschule der Medien, Stuttgart.

First research phase:
26-29 September 2017
Second research phase: 
29-30 November, 1 December 2017
Third research phase:
10-12 January 2018
Residency at DOCK11: 22-28 January 2018

Tomorrow we start!

Views: 270

Add a Comment

You need to be a member of Performance Philosophy to add comments!

Join Performance Philosophy

© 2024   Created by Laura Cull.   Powered by

Badges  |  Report an Issue  |  Terms of Service