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Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
ContinueWITHOUT TUITION OR RESTRAINT
Performance of 5 days and 4 nights
The Exchange Gallery, Penzance (UK)
In occasion of Performance Transition, curated by Blair Todd.
November 2011
Without Tuition or Restraint is a durational performance experiment about the idea of freedom, in which Andrea Pagnes is jailed inside a dog crate in the gallery space for five days and four nights consecutively. Verena Stenke is closed inside the gallery where the cage is set. The gallery is open to the public during opening hours. Stenke executes one durational action each day: the first day she runs in the space for eight hours straight, the second day she wool-wraps herself onto a chair hanging from the ceiling, the third day she nails herself with her dresses on the wall, the fourth day she stitches herself inside a bed, the final day she walks the space blindfolded carrying an hourglass. Pagnes interchanges in some moments with the visitors of the gallery.
"Without tuition or restraint" are the conclusive words of a quote by Irish political theorist Edmund Burke, who argued in the 18th Century that "freedom without wisdom and virtue is the worst of all evils, nothing but folly, vice and madness, without tuition or restraint."
The performance has been initially inspired by the book "The Fundamentals of Defectology" by L.S. Vygotsky (1929). The first performance experiment debuted at the Maschinenhaus Theater (Berlin) in 2007, in collaboration with Isole Comprese Teatro (Florence). It developed in a long durational performance in 2011, in which the artist duo spent 5 days to examine spatial, psychological and emotional cages.
Dissecting how contemporary precariousness and hypocritical attitudes deteriorates relationships and jails our minds, the work researches if when there is a boarder between you and me, there might still be no separation between me and you. During the performance, while the man is concretely imprisoned inside a dog cage, the woman's jail is her behavior and daily actions.
Photo by Simone Donati
See: http://www.vest-and-page.de/#!without-tuition-or-restraint/c21nj
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Location: Machinenhaus Theater, Berlin
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