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Performing Viral Pandemics?

Started by aha. Last reply by aha May 11, 2020. 2 Replies

Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue

We all have the same dream?

Started by Egemen Kalyon Apr 2, 2020. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15, 2020. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…


Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…




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Caroline Wilkins
  • Female
  • Bridgwater, Somerset
  • United Kingdom
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Research Interests
new music composition / performance, sound theater, inter-medial performance, voice & electronics, embodiment & digital media.

Caroline Wilkins - Online publications

 ‘An Expansion of the Admissible: from Live Electronics to Live Performance’ (2011), [Accessed 01.12.11]

 ‘On Hearing the Disposition of the Voice’ (2011), Interference: e- Journal of Audio Culture [online] [Accessed 01.08.11]

 ‘Improvisation as a Creative Dialogue’ (joint paper with Oded Ben-Tal), Perspectives on New Music, Vol.51:1, May 2013, (also in hard copy format).

 ‘Zaum: Beyond Mind - Beyond Time?’, LISA e-journal, proceedings of conference Times Excesses, Caen University, (forthcoming)

Recent book / journal publications:

  ‘A Dramaturgy of Digital Sound: Towards an Aesthetic Approach’, International Journal of the Performing Arts and Digital Media, 9: 2, 2013, Bristol: Intellect Journals.

‘Improvisation as a Creative Dialogue’ (joint paper with Oded Ben-Tal), Perspectives on New Music, Vol.51:1, May 2013.

 ‘Vox Elettronica: Song, Dance and Live Electronics in the Practice of Sound Theatre’, in Dominic Symonds and Millie Taylor (eds.) Gestures of Music Theatre: The Performativity of Song and Dance, Part 6 - Performativity as Practice, Chapter 13, New York: OUP, pp.213-225. (Dec. 2013).






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