Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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  • For general enquiries about Performance Philosophy, please contact Laura Cull: l.cull@surrey.ac.uk

Forum

We all have the same dream?

Started by Egemen Kalyon on Thursday. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

CFP - Dossier: ANTONIN ARTAUD AND REVERBERATIONS

Started by Luciana da Costa Dias Aug 21, 2019. 0 Replies

CALL FOR PAPERS Dossier: ANTONIN ARTAUD AND REVERBERATIONSThe Ephemera…Continue

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…

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HOW NOT TO MISS THE 'MISSING' IN THE UNIVERSE AROUND US

Posted by Anirban Kumar on October 20, 2019 at 22:01 0 Comments

Smolded through ages as lifeless form

Utterly colorful and yet chaotic

A life born out of debt as symbiotic

Caged in green lush, more or less as a unique…

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Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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October 2012 Blog Posts (5)

Barthes and Performance

' To stay still and to step aside, both pertain in the end to a method of performance, to play. So it is not surprising that on the impossible horizon of the anarchy of language, at that point where language tries to escape the power inherent in it, to escape its own servility, one finds something that relates to theatre. To indicate the impossible limit of language I have cited two authors : Kierkegaard and Nietzsche. Both of them write , nevertheless. But what was at sake for both of…

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Added by Patrick ffrench on October 17, 2012 at 20:33 — No Comments

Caroline Bergvall event in Cambridge

To mark Caroline Bergvall's arrival as the incoming Judith E Wilson visiting fellow, there will be a special poetry event in the Judith E Wilson Drama Studio, Faculty of English, University of Cambridge.



Monday 15th October, 8 pm.



Caroline Bergvall and Lisa Robertson will present and read from their work.



All welcome.



Judith E Wilson Drama Studio, Faculty of English, 9 West Road, Cambridge CB3 9DP



Caroline Bergvall is a poet of…

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Added by Drew Milne on October 12, 2012 at 12:00 — No Comments

The Worth of Words

Gay McAuley's talk at the TFTS Department in Aberystwyth yesterday made me wonder about the worth of words.

She spoke of a 'wave of official apologies' that were happening across the globe and - if I remember correctly - that she deemed 'necessary'. Perhaps my issue is as much with the politics of such a gesture - the official apology - as with the word 'necessary'. Necessity indicates need, at least to me, especially since it stems from Latin, 'indispensable'. Is there a need for an…

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Added by Lara Kipp on October 11, 2012 at 21:00 — No Comments

Pavis, Performance Analysis and Perception

Upon reading Pavis' 'Analyzing Performance' (p. 24: "theater lovers capable of feeling and understanding the sensations and movements of their own bodies, [...] the bodies of performers [...] as an auto-bio-graphy in its true sense..."; italics not mine) I wonder: How do we get there? Is practice (i.e. constant exposure to various forms of performance) enough? Do you need to train yourself to "perceiv[e] 'thought-in-action'"? It cannot depend upon the often referred to suspension of…

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Added by Lara Kipp on October 3, 2012 at 15:30 — No Comments

Rogue Events Agency: Teh blog that does not take (a) place.

Rogue Event Agency: Teh blog that does not take (a) place.

I have just submitted my Practice Research PhD (on the 31st August) and I am fortunate to be a long-standing Senior Lecturer in the Performing Arts Department at the University Of Chichester since 2003. I am also fortunate to be…

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Added by Andrew Wilford on October 2, 2012 at 5:00 — No Comments

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