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Performing Viral Pandemics?

Started by aha. Last reply by aha May 11, 2020. 2 Replies

Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue

We all have the same dream?

Started by Egemen Kalyon Apr 2, 2020. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15, 2020. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…

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Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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Events

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Call for projects: Believe, create, desire: make with the other

Event Details

Call for projects: Believe, create, desire: make with the other

Time: November 15, 2017 at 5pm to November 19, 2017 at 5pm
Location: Le Cube and le Point Ephemère
City/Town: Issy les Moulienaux and Paris
Website or Map: https://www.facebook.com/digi…
Event Type: manifestation, /, workshop
Organized By: Les Ecrans de la Liberté
Latest Activity: Apr 18, 2017

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Event Description

Anthropologies Numériques / Digital Anthropologies #5
Le Cube - Centre de création numérique, Issy-les-Moulineaux
et Le Point Éphémère, Paris, France, 15-19 novembre 2017

Call for projects: deadline the 30 of April

In a political climate where the desires, creations and beliefs that animate us are increasingly endangered, we have chosen to organize the 5th edition of Digital Anthropologies around the idea of collective space-time.

We want to create an inclusive space for all means or interventions that elicit the deepening of dialogue and interaction with the public. We invite researchers in the social sciences and the humanities, filmmakers, photographers, visual artists, digital practitioners as well as artists from performance, dance and theatre to share their research methods and methodologies, practices, and representational strategies, as a means of imagining modes of research that blur disciplinary conventions and boundaries.

It is our aim to disrupt the traditional division of labor between artistic expression, scientific production and technical intervention. How, through digital technologies, can corporeal, visual, audio or otherwise immaterial narratives, allow us to consider and interrogate the multiple and disparate realities of the world we inhabit?

As intercessors, you are constantly revealing and interrogating these orientations: whether to introduce singular perceptions, spaces where individual trajectories and collective fates meet, collide, or mutually enrich; or to expose these intersections—places where new modes of life, and rapports with the world, can emerge.

Since your modes of production and writing require unprecedented space-time of collective reception, our intention is to offer a rightful place to works that are excluded from usual channels of diffusion, by economic reasoning or processes of control, and shatter the accepted rituals of relationships between creators and the public.

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