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Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
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Time: March 18, 2017 to March 19, 2017
Location: CAMPO Nieuwpoort
Street: Nieuwpoort 31-35
City/Town: Ghent
Website or Map: http://www.ugent.be/lw/kunstw…
Event Type: conference
Organized By: S:PAM
Latest Activity: Jan 25, 2017
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More details on the program
This conference focuses on the contemporary dance profession as one of the many professions in a regime without boundaries. Psychologists Allvin et al. (2011) claim that the working lives of post-Fordist workers (among them contemporary dance artists) have the potential for the destruction of work as we know it (also Sennett 1998; Bologna 2011). They describe the new working life as a giant switchboard of work and life that (dis)connects people. Whereas people's control within their work increases, their control over the conditions of work diminishes.
In this respect, the work of dance is without boundaries in a double sense: it is increasingly mobile and transnational (no geographical boundaries) and, as the organisation of work becomes more flexible, sees the distinction between work and private life blurred (no mental boundaries). It is now up to the individual employee to establish this distinction and maintain personal limits (Gielen 2009). Following Lauren Berlant, we hypothesise that this precarious work without boundaries "occurs not only in the debates on how to rework insecurity" but "is also an emerging aesthetic" (Berlant 2011, 192) of which traces can be found in the performances of contemporary dance artists.
Although scholars from both sociology and theatre/performance studies have done research on the careers and the (aesthetics of) working processes of artists, the field of contemporary dance has received only modest attention. The aim of this two-day conference is to further resolve the hiatus in the debate on work without boundaries in the (performing) arts through organising lectures by scholars from various disciplines and talks and interventions by artists from the field of contemporary dance and performance.
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