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Performance Philosophy
Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
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Time: January 30, 2014 from 10:45am to 5pm
Location: Richmix Cinema, 35 - 47 Bethnal Green Road, London E1 6LA
Website or Map: http://www.richmix.org.uk/wha…
Event Type: screening, symposium
Organized By: Adrian Heathfield
Latest Activity: Jan 13, 2014
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Performance Matters Presents:
Dialogues: Art, Performance, Film
Rich Mix Cinema, 10.45am-5pm, Thursday 30th January 2014
Book tickets: here
Conversation makes the world go around. And in recent times creative works of conversation have been a forceful part of contemporary art practices, ‘relational’ and participatory performances, and the rising genre of the essay film in experimental documentary cinema and video.
Conversing has long been prescribed as the means to solve all manner of dis-eases, from Sigmund Freud’s talking cure for psychological imbalances, to physicist David Bohm’s proposition of creative dialogue as the primary tool for organizational and social change. But what do these dialogues in art, performance and film do for, or with, the spectator? What do they tell us about the stakes of being social with ideas?
This day-long symposium and screening event sees the showing of two films from art writer Adrian Heathfield and photographer Hugo Glendinning’s Performance Dialogues series. Transfigured Night: a conversation with Alphonso Lingis assembles a rich patchwork of fragments taken from a two-day visit to the philosopher’s house near Baltimore. The discussion moves from questions of the face and gaze of others, the sensual experiences of weight and being touched, to meditations on mortality and suffering. A new, as yet untitled, dialogue film will also be premiered: Heathfield’s discussion on the value of spirit, shot in the heart of France, with the philosopher Bernard Stiegler. Beside these screenings, two panel discussions with leading thinkers, visual artists, film and performance makers will unearth a variety of approaches to dialogic practice, and examine what these explorations of the ethos of relation might tell us about the status of ‘the intellectual’ and intense ideas in the contemporary public sphere.
Curated by Performance Matters
Watch a trailer of Transfigured Night: a conversation with Alphonso Lingis here
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