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Performance Philosophy
Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
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Time: September 22, 2016 to September 24, 2016
Location: Kino Šiška Centre for Urban Culture and the University of Ljubljana
Street: Kongresni trg 12
City/Town: Ljubljana, Slovenia
Website or Map: http://www.repetitions2016.org
Event Type: an, academic, and, artistic, event
Latest Activity: May 3, 2016
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Call for Papers & Performances:
Repetition, as a pivotal concept in contemporary theory and aesthetic practice, announces a movement away from logics of representation. Where the concept of representation had once predominated in attempts to think and enact the world, Alenka Zupančič notes that with the arrival of Deleuze, the shift from previous modes of thought “takes the form of a straightforward conceptual war: repetition against representation” (2008: 149-150). This conceptual warfare has perhaps nowhere laid out its stakes more clearly than on the contemporary scene of artistic practices. Within the domains of the visual, sonic and performing arts and their theorisations, the tensions between repetition and representation map out a common ground of encounter. Contemporary investigations into this contested territory are increasingly challenging the very modalities and terms in which both art and philosophy are practiced, or performed.
Invoking the concepts of both time and space as constitutive aspects, the problem of repetition raises topical questions of, on the one hand, processes of perception, (re)cognition, thought, memory, habit, and speech; and on the other, the dynamics of economic structures and historical processes. The notion of repetition also opens onto many other key questions being posed in and by contemporary philosophical and aesthetic practices: questions of the relations between body and thought, between the structure and the exception, between content and form. There is, moreover, no single or unified notion of repetition: rather, a number of divergent philosophical ontologies emerge, each taking the concept as its point of departure, and developing in dialogue with (amongst others) Hegelian and Marxist dialectics, Nietzsche's idea of the eternal return, the Kierkegaardian concept of repetition, psychoanalytic theorisations with Freud’s Wiederholungszwang and Lacan’s automatisme de répétition and instance de la lettre, linguistic performativity, Derridean iterability and différance, and Deleuzian repetition as the production of difference.
Today, contemporary developments in the increasingly intertwined fields of philosophy and performance call for a renewed inquiry into the question of repetition. With its unique critique of ideology arising from a synthesis of German Idealism and Lacanian psychoanalysis, the Ljubljana School (Dolar, Zupančič, Žižek et al.) continues to furnish important theorisations of repetition and performance as they pertain to subjectivity and the political. One of the primary aims of REPETITION/S will be to investigate and develop the usefulness of the Ljubljana School’s theorisations for the emerging field of Performance Philosophy.
In the experimental spirit of Performance Philosophy, we seek to host a polydisciplinary event bringing together a variety of scholars and artists. We encourage creative, engaged approaches to the event's terms of investigation. In addition to papers we particularly invite performative lectures, exercises of or experiments with repetition, workshops, cross-disciplinary panel discussions, new media presentations, and public interventions.
Please send a 300-word abstract, including a title and a brief bio-bibliography, in either Word or PDF format to contact@repetitions2016.org.
The deadline for submission is April 30, 2016.
Organising Committee:
Bara Kolenc (Ljubljana, Slovenia)
Gregor Moder (Ljubljana, Slovenia)
Anna Street (Sorbonne, France)
Ben Hjorth (Monash, Australia)
For more information and the full call, please visit the website at www.repetitions2016.org.
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