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Performing Viral Pandemics?

Started by aha. Last reply by aha May 11, 2020. 2 Replies

Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue

We all have the same dream?

Started by Egemen Kalyon Apr 2, 2020. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15, 2020. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…

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Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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Selma Jeanne Cohen Prize in Dance Aesthetics

In memory of Selma Jeanne Cohen, the American Society for Aesthetics established a $1000 biennial prize in dance aesthetics, dance theory, or the history of dance. Begun in 2008, the next prize will be for a critical article or book of distinction published in English in the biennium from July 2012 to June 2014.
The prize winner will be selected by a committee of three members appointed by the President of the ASA and will be notified by September 2014.The award will be announced publicly during the national meeting of the ASA on October 29 to November 1, 2014 in San Antonio, Texas.The winner will be encouraged but not be required to attend the meeting. The prize may not be awarded if, in the opinion of the judges, no nomination of sufficient merit and appropriateness is received.
The ASA selection committee welcomes published work of distinction that contributes to dance aesthetics, dance theory, or the history of dance. Publication is understood to mean publication in venues with peer review recognized by the scholarly community and that are permanently available to the interested scholarly community of students and researchers. Nominations will be judged based on significance of the topic or issue, quality of the research, quality of the writing, originality, and contribution to the dance literature.
Submissions should be directed to Dabney Townsend, ASA Secretary/Treasurer, at PO Box 915, Pooler GA 31322 orDabney.Townsend@armstrong.edu. The nominated article or book must be submitted in full. Electronic submissions are strongly preferred, in PDF format replicating the original publication. If electronic submissions are not available, two copies must be submitted, whether books or articles. The deadline for receipt of nominations is August 1, 2014.
Selma Jeanne Cohen Prize in Dance Aesthetics: Winners
Graham McFee (2012)
Marcia B. Siegel (2010)
Ann Hutchinson Guest (2008)
Ivor Guest (2008)
Sally Banes (2008)

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