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Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
ContinueA performance-based feature film produced and filmed on location during the month-long performance walk by artist duo VestAndPage from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Stenke's family fled upon the evacuation of East Prussia in winter 1945, in the civil exodus along the Baltic Sea to Northern Germany, crossing over 1100 kilometres of land, never returning from there on. There was no mentioning the war, about what it meant for the life of each member of the family: the artists only knew that they "fled during the war" and "came from the north".
Taking a private family story and the historical event of post-WWII displacements as starting points, the film focuses on the issue of the replaced - displaced - in-place body. It questions how past and present speak to and through our bodies facing ethical, social and existential challenges. It investigates the process of acceptance of history, its individual and collective archiving, as well as concepts of identity and permeability of cultural boarders.
In 7 episodes, the film recalls with each one a member of the family, to look into time, mystery, war, duty, courage, trauma and fidelity.
In order to facilitate a contemporary discourse on the past to understand the present, for the artists it became necessary to connect lapses and gaps, be they real or fictional. The process of recalling the unsaid, puzzling pieces together, digging dust away, imagining possible worlds whilst mapping impossible ones, opened closed boxes and questioned their insides: the dematerialisation of the past, where oblivion reigns above nostalgia.
Teetering between the real, the visionary, and the changing contours of the memories of many, the film features the artists in a sequence of moving images, examined through social and geophysical lenses. Their actions evolve in direct response to the surroundings and objects they found along their way. The camera records what possible spectators would view; yet the movie is not a documentary. Instead the performances are pieced together organically, forming an autonomous story to be read by each viewer in a personal way.
93 minutes
German | English
Release in Summer 2016
Trailer music: "Toglietemi la vita ancor" (A. Scarlatti) Arrangement by Josephine Macri
A VestAndPage production
Germany, 2016
Month-long performance on behalf of the Centre for Cultural Heritage of East Prussia
Funded by the German Federal Government Commissioner for Culture and the Media
In cooperation with Heart of the City Bureau, Dom Samok Association and Georgenburg Association
Concept | Director | Producer
VestAndPage (VERENA STENKE, ANDREA PAGNES)
Performances
VERENA STENKE
ANDREA PAGNES
STEPHAN KNIES
VLADA SMIRNOVA
Camera | Voice
VERENA STENKE
ANDREA PAGNES
Production Audio, Sound Editing
DOUGLAS QUIN
Sound Design
KELLER MCDIVITT
Writer
ANDREA PAGNES
Text Editing
AISHA RYANNON PAGNES
Editing
VERENA STENKE
Original Music / Composers
ANDREAS BAUER
KATARINA & LJUBICA DUO
STEPHAN KNIES
JOSEPHINE MACRI
MAURO SAMBO
ANGIE SEAH
WHITE NOISE GENERATOR
http://www.plantain-themovie.de
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