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Performance Philosophy
Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
ContinueCircus and its Others 2020
November 12-15
University of California, Davis
Revised Proposal Deadline: April 15, 2020
Launched in 2014, the Circus and its Others research project explores the ways in which contemporary circus artists and companies relate to difference in their practice. The third Circus and its Others conference will be held at the University of California, Davis, on November 12-15, 2020. As with the previous two conferences (Montréal 2016, Prague 2018), the conference will run alongside a contemporary circus festival, involving both indoor, ticketed programming and a free outdoor activities.
A particular focus of CaiO 2020 is the interdisciplinarity of circus research and practice, putting into play foci of openness and inclusion. How can our ongoing inquiry be enriched by engaging directly with scholars and practitioners working in a wide range of fields? To that end, confirmed keynote speakers include Bojana Kunst, Professor at the Institute for Applied Theatre Studies at the Justus-Liebig University in Gießen, Germany; André Lepecki, chair of New York University’s Department of Performance Studies; Jane Nicholas, associate professor of history at St. Jerome’s University, University of Waterloo; and Susan Nance, professor of history at the University of Guelph. For the 2020 conference, possible areas of inquiry might include, but need not be limited to: Circus and Subjectivity, Circus and Embodiment, Circus and Race, Circus and Animal Studies, Circus and Native American Studies/Circus and Indigeneity, Circus and Feminism, Circus and Queer Studies, Circus and Utopia, Circus and Science and Technology Studies, and Social Circus.
We invite 300- to 400-word proposals for 20-minute presentations. Please send proposals by April 15, 2020 to CircusOthersDavis2020@gmail.com. Please articulate clearly in your proposal if you plan to make a formal paper presentation or if as a practitioner/
creator/researcher you wish to engage in a hybrid practice/talk/research/creation exploration.
Please see our website for more information: circusanditsothers.org
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