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Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Started by aha. Last reply by aha May 11, 2020. 2 Replies 0 Likes
Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue
Started by Egemen Kalyon Apr 2, 2020. 0 Replies 0 Likes
Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue
Started by Ante Ursic Mar 15, 2020. 0 Replies 0 Likes
Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue
Tags: critical, ethnic, queer, performance, animal
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
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Time: March 26, 2015 from 5pm to 8pm
Location: American University of Beirut , West Hall 2nd floor Foyer
Street: Bliss Street
City/Town: BEIRUT
Website or Map: https://www.facebook.com/even…
Event Type: performance, art, -book, launch
Organized By: Cornelia Krafft / AUB Press / AUB President´s Club
Latest Activity: Mar 9, 2015
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The launching of the book MUTE MOVEMENTS:
a collective performance art journey through Beirut 2009-2014
by Cornelia Krafft / Artist, Choreographer
Designed by Christian Ipsum Moussa
* Generously sponsored by the AUB President's Club.
* Published by AUB Press
* In commemoration of the American University of Beirut’s 150th Anniversary Celebration in 2016
The first book of its kind in Lebanon, Mute Movements documents the emergence of a Performance Art scene in Lebanon under the direction of Cornelia Krafft, artist, choreographer, and former assistant professor at the American University of Beirut. The book illustrates the collective work of students and artists (aged 19 to 25) exploring their everyday challenges and concerns through the medium of performance.
Captured in high-quality photographs and narrated through the performers’ own words, Mute Movements invites the reader to embark on an inspirational journey through modern-day Lebanon as seen through the eyes of these young artists striving to confront internal and external challenges on the personal, national, and regional levels.
Their “mute” performances, situated in provocative locations, demanded attention and triggered debate. Played out in unorthodox settings – abandoned buildings, war ruins, along the sea shore, in city streets and run-down cinemas – these performances required almost as much of the spectators as of the players with their fundamental questioning of issues of collective relevance: social responsibility, personal and regional identity, cultural heritage, censorship, conflict, freedom, and repression.
The book’s minimalistic aesthetic and design enfold a wealth of artistic images, an extraordinary record of the evolution of Performance Art in Lebanon across five fertile years of artistic endeavor. Across the pages of the book, each performance unfolds in documentary-like fashion, revealing the extent to which contemporary education in the fields of performance, set design, and visual arts can engage and inspire its audiences. While the focus is on Lebanon and its youth, the bigger picture is a work in progress with relevance extending far beyond the borders of one small country, making Mute Movements a valuable and highly enjoyable reference work of international importance.
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