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Performing Viral Pandemics?

Started by aha. Last reply by aha May 11, 2020. 2 Replies

Hi.Hopefully all is well!The shorty is a suggestion to start an online conversation group to elaborate questions from theCovid-19 oriented period and Performance Philosophy?eg. Intra-Active Virome?…Continue

We all have the same dream?

Started by Egemen Kalyon Apr 2, 2020. 0 Replies

Hello, "We all have the same dream" is my project that aims to create an archive from the dreams of our era and reinterpret Jung's "collective unconscious" concepts with performance and performing…Continue

Circus and Its Others 2020, UC Davis CFP

Started by Ante Ursic Mar 15, 2020. 0 Replies

Circus and its Others 2020November 12-15University of California, DavisRevised Proposal Deadline: April 15, 2020Launched in 2014, the Circus and its Others research project explores the ways in which…Continue

Tags: critical, ethnic, queer, performance, animal

Blog Posts

"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…


Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…




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THEATRUM MUNDI 7: PERFORMING OTHERS IN THE SELF; Performing (Europe's) Others In/Between Different Fields of Artistic and Scientific Research

Event Details

THEATRUM MUNDI 7: PERFORMING OTHERS IN THE SELF; Performing (Europe's) Others In/Between Different Fields of Artistic and Scientific Research

Time: September 12, 2016 to September 17, 2016
Location: Inter-University Centre Dubrovnik (IUC)
Street: Don Frana Bulića 4
City/Town: HR-20000 Dubrovnik, Croatia
Website or Map:…
Event Type: doctoral/post-doctoral, seminar
Organized By: Sibila Petlevski
Latest Activity: Jul 26, 2016

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Event Description

12. 09. – 17. 09. 2016

Dubrovnik, Inter-University Center   

This inter-disciplinary course covers wide variety of topics dealing with theatrical, philosophical and political issues, as well as issues in the field of cognitive studies (for example, the potential impact of cognitive science on performance theory; general cognition for theatre audience, social cognition in spectating and cultural cognition in history). We are particularly interested in exploring some of the relations between political discourse and political cognition, as well as in analyzing political discourse genres, their structure and their performative dynamics.

 The very concept of Europe contains the idea of the Other as its constitutive element. The motto of this year's is taken from two umbiguously «prophetic» texts of William Blake, «America: A Prophecy» and «Europe: A Prophecy». Blake uses the “principle of rhetorical indeterminacy”, forcing the contemporary reader into an active role of having to interpret the complementarity of these two poems beyond the canonized cultural, historical and political interpretative (and valuing) contexts of Blake’s time, and even beyond the interpretative logic inscribed into and read out of Blake’s poetic “visionary anarchism” and rebellion against the abuse of class power.

Postmodern ethics once again allows that “Other” as the next door neighbor, to enter into the very heart of the moral self to come back from the desert of “calculated interests” where the Other was living in exile. The Other is defined as the “crucial character” in the process through which the moral self has to go to find itself. But is it still possible – in view of the increasingly aggravating refugee crisis – to share Zygmont Bauman’s optimism from the early 90s? Is it still possible to see in the post-modern the opportunity to move out of the blind alleys into which the radical ambitions of modernity led the moral self? 

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