Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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Discussion Forum

Call for expressions of interest - what_now festival, London, 11-13 April 2014

Started by Theron Schmidt Feb 11, 2014. 0 Replies

what_now 201411 – 13 April 2014‘We can reach every point in the world but, more importantly, we can be reached from any point in the world. Privacy and its possibilities are abolished. Attention is…Continue

From Primitivism to Transnationalism: Dance as Ethnography in the 1913 Rite of Spring and in Pina Bausch's Cultural Olympiad

Started by Jonas Tinius Feb 6, 2014. 0 Replies

Dear colleague, the following seminar at the Centre for Research in the Arts, Social Sciences, and Humanities (CRASSH) may be of interest to you and/or colleagues in the division. More information on…Continue

CFP: Symposium on Choreographic Process

Started by Hetty Blades Feb 4, 2014. 0 Replies

Deal all,Please see below for information about a symposium we are planning at Coventry University which might be of interest. Please note that the deadline for submissions is this Monday 10th…Continue

Research Participants

Started by Hetty Blades Sep 11, 2013. 0 Replies

Dear all,I am looking for people to interview as part of a research project, about their responses to two events in London: The first is the exhibition Thinking with the body: Mind and movement in…Continue

Blog Posts

HOW NOT TO MISS THE 'MISSING' IN THE UNIVERSE AROUND US

Posted by Anirban Kumar on October 20, 2019 at 22:01 0 Comments

Smolded through ages as lifeless form

Utterly colorful and yet chaotic

A life born out of debt as symbiotic

Caged in green lush, more or less as a unique…

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Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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The School of Making Thinking's Summer 2018 Residency Programs

Posted by Aaron Finbloom on January 9, 2018 at 15:01 0 Comments

Hi everyone!

I help run an amazing interdisciplinary artist/thinker residency program called The School of Making Thinking based out of the U.S. and I wanted to share our summer programs and encourage Performance Philosophy ppl to apply (as I think many will find them quite interested :- )



see below!

best,

Aaron



~



The School of Making Thinking hosts Summer Intensives for…

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Deal all,

Please see below for information about a symposium we are planning at Coventry University which might be of interest. Please note that the deadline for submissions is this Monday 10th Feb.

Best wishes,

Hetty

Symposium: 'Performing Process: Sharing Practice’

Centre for Dance Research (C-DaRE), Coventry University

Friday 6th of June 2014

Convenors: David Bennett, Hetty Blades, Emma Meehan

http://c-dare.co.uk/

 

Call for papers

Choreographic process is increasingly examined, shared and discussed in a variety of academic, artistic and performative contexts. More than ever before, post-show discussions, artistic blogs, books, archives, seminars and sharings provide opportunities for choreographers to explain their individual methodologies. There are many possible reasons for the increased interest in process: as a product of dance's relationship with the academy, an attempt to increase audiences in an austere climate, or a product of the 'information age'.

 

What is clear is that the articulation of process is not exclusive to academic or research-led contexts; choreographers working across a range of cultural and stylistic disciplines are finding multiple methods through which to explain their process and share their 'choreographic knowledge' (Forsythe 2009) and ‘choreographic thinking tools’ (deLahunta 2011). This vocalisation of different knowledges challenges poststructuralist and traditional aesthetic ways of thinking about the role of the artist, revising ideas of ‘letting the work speak for itself’. Concepts of authorship and intentionality are foregrounded, within a climate where choreographers frequently adopt multiple methods for voicing their intentions and practices.

 

This symposium will examine the current interest in choreographic process. We invite submissions from practitioners, students and scholars. We also welcome proposals for short performances, workshops and sharings, as well as conventional paper and panel presentations. The following areas are of particular interest:

 

Formats: What are the approaches, methodologies and formats for sharing process? In what spaces and places is process being shared? How does this impact the exchange between performer and audience? How is the sharing of process facilitated?

Audience: Who is the audience for process? Why is it being shared, with whom and within what contexts? What is the role of the audience in this transaction?

Articulation: What are the modes for articulating process? As the value of process as a form of knowledge is acknowledged and new ways of articulating practice-led research are developed, how does this articulation produce new theoretical and methodological research paradigms and questions? Does it undermine previously valued forms of performance analysis and forms of practice?

Process as performance:  How does the process become the performance for example in improvisation, durational work, ongoing investigations, online documentation and so on?

The impact of process: How does the sharing of process develop 'choreographic knowledge' and therefore have an impact on the perception, appreciation, value and experience of live performance?

Politics: How is the artistic and academic environment shaped by political structures and how do these structures impact the sharing of process? Is sharing process a product of the increasing pressure for outreach and impact on non-academic/non-professional communities? Does the increasing documentation of process comes from a fear of the work not existing if it is not recorded, especially with the emphasis on outputs and documents by funders and institutions?

Digital technologies: What is the role of technological developments in the transmission of process and therefore choreographic knowledge?

Futures of process: How does the sharing of process instigate further artistic explorations by the artist sharing the work or audiences? For example, how are online archives being used by others to inspire or inform artistic practices? What could be the impact of sharing process on the future of the artwork and performance practices?

 

Please note: Guest speakers will be drawn from international practitioners and researchers in the field (to be announced at a later date). Registration for the event will cost £20 concession/£30 full price.

 

Format for submissions

Paper presentations are limited to 20 minutes and workshops are limited to 90 minutes in duration.  Short performance sharings and other formats may also be possible.

 

In your proposal please include the following:

 

Names of presenters and organisational/institutional affiliation(s) if any

Technical, space and duration requirements

Biography (max 300 words)

Title of performance, presentation, paper, workshop

500 word abstract/description

Bibliography (optional)


The deadline for submission of proposals is Monday 10th February 2014.  

Proposals should be emailed to Hetty Blades bladesh@uni.coventry.ac.uk

 

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