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Performance Philosophy
Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.
Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments 0 Likes
Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments 0 Likes
Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…
ContinuePosted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments 0 Likes
Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments 1 Like
I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.
It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.
From his website:
The Division of labour work explores…
ContinueThe goal of this group is to qualify the dramatic terms of the affinity between philosophy and performance. By tracing the parallel between the forms that philosophical writing adopted and their corresponding dramatic visions, this group strives to demonstrate how the genre-specific relations between philosophy and drama reveal the respective role that suffering plays in the act of understanding.
Website: http://www.tragedycomedy.com/en/
Location: Paris, London, Berlin
Members: 54
Latest Activity: Jun 6, 2017
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ANNOUNCING:
PERFORMANCE PHILOSOPHY AND THE FUTURE OF GENRE:
THINKING THROUGH TRAGEDY & COMEDY
An international symposium to be held at the ICI Berlin on
December 4-5, 2014.
What is the relation between laughter and thought? How does suffering bring about understanding? Do some philosophies have a comic rather than a tragic vision? The contemporary fascination with how performance and philosophy overlap begs an appeal to genre studies. Tragedy and comedy can function as exemplary sites on which the tensions between theatre, philosophy and performance are played out.
Bringing together performers and scholars from the fields of philosophy, literature and theater, this symposium will investigate how contrasting genres inform the relation between performance and philosophy.
KEYNOTE SPEAKERS:
Simon Critchley
The New School
Erika Fischer-Lichte
Free University Berlin
Hans-Thies Lehmann
Goethe University Frankfurt/Main
PANELISTS:
Russell Ford
Elmhurst College
John Morreall
College of William and Mary
Jennifer Wallace
Cambridge University
Rupert Glasgow
Independent Scholar
Nikolaus Müller-Schöll
Goethe University Frankfurt/Main
Stephen Wilmer
Trinity College Dublin
Joachim Küpper
Free University Berlin
Freddie Rokem
University of Tel Aviv
Along with over 20 distinguished seminar presenters from around the world
Join our roundtable discussions, in-depth seminar sessions and keynote lectures and take part in the lively debate about philosophy’s reliance upon specific dramatic techniques. By thinking the productive clash between generic structure and performative flow, we seek to trace the future of genre in its philosophical dimension in a post-dramatic, post-disciplinary world.
Attendance is free and open to all. The symposium will be held in English. Please visit the website for more details and a complete list of participants:
Organized by Ramona Mosse, Anna Street, and Maïté Marciano,
founding members of the Performance Philosophy Working Group
“Tragedy and Comedy: Genres of Dramatic Thought“
(https://performancephilosophy.ning.com/group/tragedy-and-comedy),
in cooperation with the Dahlem Humanities Center and the ICI Berlin Institute for Cultural Inquiry with support of the Center for International Cooperation at the Free University Berlin.
This group does not have any discussions yet.
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Looking forward to your panel, Jim! Thanks for the heads up!
At the meeting in Prague, one of the issues I will address is the alleged distinction between acting and performance. (I believe that is a false distinction, by the way; and will provide the basis for thinking it so.) Look for the panel led by David Saltz. This might well be relevant to this group.
Best,
--Jim
Announcing
PHILO-PERFORMANCE:
ANTIGONICK
by Sophokles, translated by Anne Carson
A PUBLIC READING AND DISCUSSION
CURATED BY BEN HJORTH
CAST
Antigone -- Avital Ronell
Ismene sister of Antigone -- Elisabeth Angel-Perez
Kreon king of Thebes -- Judith Butler
Haimon son of Kreon & Eurydike -- Karen Shimakawa
Eurydike wife of Kreon, mother of Haimon -- Freddie Rokem
Teiresias blind prophet of Thebes, led by a boy -- Opie Boero Imwinkelried
Guard -- Timothy Murray
Messenger -- Paul Monaghan
Chorus of old Theban Men -- Laura Cull, Jon McKenzie, and conference audience
Nick a mute part, [always onstage, he measures things] -- Ben Hjorth
John Ireland will facilitate the post-reading discussion.
Thanks to assistant Jeanne Schaaf and conference co-organizer Anna Street
In preparation for the TPP 2014 conference coming up next week, check out "A TPP-goer's Guide to Jon McKenzie's Galaxy in Perform or Else" (link below). He has some interesting things to say about laughter at the end . . .
http://http://tpp2014.com/tpp-goers-guide-to-jon-mckenzies-galaxy-i...
Check out the website to our upcoming conference:
There will be a panel on dramatic genres, so be sure to submit your proposal before January 31st!
Read the Call for Papers: http://tpp2014.com/en-us/call-papers/
Hope you see all of you there . . .
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