Performance Philosophy is an international network open to all researchers concerned with the relationship between performance & philosophy.

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  • For general enquiries about Performance Philosophy, please contact Laura Cull: l.cull@surrey.ac.uk

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Discussion Forum

Intermedial Perfomers and Companies

Started by Richard Brown May 12, 2015. 0 Replies

As part of my practise based PhD, I am looking for examples of contemporary intermedial* performers and companies. Examples I have found are …Continue

Tags: intermedial

INFLUENCE OF NEW MEDIA LANGUAGES IN STAGE PERCEPTION

Started by Andres Leon-Geyer. Last reply by Andres Leon-Geyer Sep 17, 2012. 2 Replies

 Can we talk about a influence of the languages of New Media on the perceiving of stage? Mark Coniglio, in a conference in Mexico City this year, made again his point about that, although decades of…Continue

Blog Posts

HOW NOT TO MISS THE 'MISSING' IN THE UNIVERSE AROUND US

Posted by Anirban Kumar on May 13, 2020 at 14:27 0 Comments

(Fig. i)*…

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"Further Evidence on the Meaning of Musical Performance" Working Paper

Posted by Phillip Cartwright on January 15, 2020 at 21:28 0 Comments

Karolina Nevoina and I are pleased to announce availability of our working paper, "Further Evidence on the Meaning of Musical Performance". Special thanks to Professor Aaron Williamon and the Royal College of Music, Centre for Performance Science.…

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Aproximaciones teóricas a la danza

Posted by Carlos Eduardo Sanabria on December 6, 2019 at 20:01 0 Comments

https://www.researchgate.net/publication/337647302_Aproximaciones_teoricas_a_la_danza

Division of Labor - Denis Beaubois

Posted by Gabrielle Senza on February 23, 2018 at 0:36 0 Comments

I just came across Denis Beaubois, an Australian multidisciplinary artist whose work, Currency - Division of Labor might be of interest to researchers here.

It is a series of video/performance works that use the division of labor model in capitalism as a structural tool for performance.

From his website:

The Division of labour work explores…

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Intermedial Performance

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Intermedial Performance

This group will discuss a range of intermedial possibilities, transformations and/or issues at the interart juncture of live and recorded performance. We shall open up a forum to discuss the communicative systems of a range of art forms, which interact within the medium of performance. A media-saturated world has inevitably transformed traditional notions of performance and has inspired new perspectives and aspects of performance theory. The whole framing act of communication has been brought up to re-evaluation, since in intermedia transfer, more than one communicative systems are yoked together, but never solely into parity, or purely into rivalry. This is the exciting area which we are going to discuss and interrogate. There will be seminars and symposium/conference. Convener: Dr Clara Armand

Website: http://www.interanimationtheatre.co.uk
Location: London
Members: 54
Latest Activity: Mar 8

Discussion Forum

Intermedial Perfomers and Companies

Started by Richard Brown May 12, 2015. 0 Replies

As part of my practise based PhD, I am looking for examples of contemporary intermedial* performers and companies. Examples I have found are …Continue

Tags: intermedial

INFLUENCE OF NEW MEDIA LANGUAGES IN STAGE PERCEPTION

Started by Andres Leon-Geyer. Last reply by Andres Leon-Geyer Sep 17, 2012. 2 Replies

 Can we talk about a influence of the languages of New Media on the perceiving of stage? Mark Coniglio, in a conference in Mexico City this year, made again his point about that, although decades of…Continue

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You need to be a member of Intermedial Performance to add comments!

Comment by Caroline Wilkins on March 22, 2019 at 14:37

Hello Clara and members of the group Intermedial Performance. I would very much like to exchange thoughts and ideas with you all, being a composer/performer/researcher who works in Sound Theatre. Recently I presented at the PP Biennale in Amsterdam, which was a wonderfully open, relaxed and enjoyable conference. My contribution concerned intervention as sonic gesture and was entitled 'An Expansion of the Admissible: Sound Theatre as Interference'. I look forward to future exchanges with everyone.

regards,

Caroline

 

Members (54)