Remarks on the exhibition Se rappeler qu'une oeuvre...
Online article at:
Added by Allen Alain Viguier on August 5, 2015 at 16:56 — No Comments
Ron Athey. Incorruptible Flesh. Glasgow, 2006. Photo by Manuel Vason.
This recent conversation I have had with Ron Athey, one of the most outstanding ground-breaking performance artists of our times, has been made exclusively for LADA (Live Art…Continue
Added by Andrea Pagnes (VestAndPage) on July 31, 2015 at 20:00 — No Comments
VestAndPage. La Promenade du Sceptique. Academy of Fine Arts, Venice, 2011. Photo by Andrea Morucchio.
To the kind attention of anyone interested in the subjects of: durational performance, endurance, risk-taking, emotional intelligence and performing philosophy.
Added by Andrea Pagnes (VestAndPage) on July 31, 2015 at 18:00 — No Comments
Cuando nadie pregunta qué es Estado de Encuentro lo que viene a mí es una decepción en lo que hacemos. Pero eso respondería el por qué mas no el qué.
Encontrar algo/alguien/alguno que satisfaga lo qué somos se vuelve más complicado en lo que hacemos.
Analizar etimológicamente Estado de Encuentro respondería a la parte racional y no…
Added by Chris Frias on July 20, 2015 at 15:49 — No Comments
The Impossible Theatres project intends to gather together a range of opinions on how best to contextualize, theorize and ultimately construct contemporary performance spaces. Below is an opening statement intended to initiate this process and we invite you to respond to it. Responses can be in the form of an open forum for comments, and a private channel for longer and more considered responses. The intention is to collate responses and to invite respondents to a working group meeting…Continue
Added by Hannah Lammin on April 15, 2015 at 11:00 — No Comments
23 April, 2015,
Pǝ'fɔ:m(ǝ)ns PERFORMANCE/PERFORMATIVITY CROSS FACULTY GROUP
Faculty of Fine, Applied And Performing Arts, University of Gothenburg
"Let them burn down the library in Alexandria. There are powers above and beyond papyri. We may be temporarily deprived of the ability to…
Added by Elisabeth Belgrano on April 12, 2015 at 22:24 — No Comments
AMAE/DE PINTO 58 (+1) INDICES ON THE BODY
63 variations on the body — Open call for Composers
deadline September 30th, 2015
After the launch of the project on Soundcloud, featuring Jean-Luc Nancy’s recorded voice reading his treaty 58 Indices on the body, it is now time to turn the text into music. For this…Continue
Added by AMAE/DEPINTO on March 31, 2015 at 12:32 — No Comments
please let me know if you're around. would love to see you there.
this is how it looked like last time:
The series Kontrapunkt brings together dance and visual art in…Continue
Added by Lior Avizoor on January 22, 2015 at 20:46 — No Comments
Added by Mónica Susana Vergara Málaga on January 20, 2015 at 20:47 — No Comments
History, Memory, Performance is an interdisciplinary collection of essays…Continue
Added by Yana meerzon on January 17, 2015 at 20:53 — No Comments
Added by Yana meerzon on January 17, 2015 at 20:45 — No Comments
In Choreographic Practices, about the works of the three Janez Janšas, Every House Has a Door, Tehching Hsieh and the philosophy of Henri Bergson.
Added by Nik Wakefield on January 2, 2015 at 16:33 — No Comments
EIRINI AVRAMOPOULOU interviews Judith Butler and Athena Athanasiou apropos the
publication of their book
Dispossession: The Performative in the Political (Polity Press, 2013)
Introduction to the Interview
By intertwining significant philosophical questions on subjectivity, precarity, biopolitics and performativity with contemporary dilemmas on acts of dissidence, collective protests, activism…Continue
Added by Anna Street on October 15, 2014 at 21:03 — No Comments
Reading Butler: speculations on the limitations of Brecht
The focus of this article is on integrating the contributions made by Butler’s work to an understanding and expansion of performance and, in particular, what is called the Brechtian method. The following was written between 2008 and 2010 as part of my first thesis and rather than develop a purely theoretical formulation of any…Continue
Added by Jena A Zelezny on October 14, 2014 at 9:19 — No Comments
Call for Articles: The European Legacy’s Special Issue on the Legacy of Adorno’s Criticism in Aesthetics and Performance
Regarded as one of the foremost thinkers of the twentieth-century, Theodor Adorno’s work ranges from cultural criticism, Marxism, and aesthetic theory to philosophy and sociology. A trained musician, his work demonstrates an unusual balance between theory and praxis, a combination that distinguishes him from many other critical…Continue
Added by Karoline Gritzner on October 8, 2014 at 15:33 — No Comments
Added by robin bale on October 7, 2014 at 17:56 — No Comments
Judith Butler: performativity and dramaturgy
Dr Jena A Zelezny (2010)
Judith Butler’s work is widely known and sometimes only known, for the theory outlined in ‘Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory’ (Theatre Journal 1988), Gender Trouble: Feminism and the Subversion of Identity (1990), and Bodies…Continue
I've just posted a new event- please check it out.
dance performance, exhibition and a lecture at the Tel Aviv Museum of Art, October 25th.
let me know if you can make it...
Added by Lior Avizoor on October 4, 2014 at 16:50 — No Comments
I was born and raised in Germany where I studied music and dramatic arts. I worked for many years as a theatre director in Germany, but in 1994 I followed an inner impulse and moved to Athens, Greece. I now work in Greece as a theatre director and acting teacher at several drama schools.
I have always considered Greece the birthplace of western theatre, and Athens seemed like the right place to research the universal theatrical language and perhaps to discover the secrets behind the…Continue
Added by Michael Seibel on September 26, 2014 at 17:00 — No Comments